Yakim Peled Offline Upload & Sell: Off
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slungu wrote:
I don't know if life is that complicated. Ok, for the 80mm you get 3 lenses for M645, but one is a relatively fast one, the second is a normal slowish ( by 35mm terms ) compact and light lens and the third is a very nice macro lens. I have the macro, since the others have some stiff competition from 35mm alt lenses, and it is a great lens - I also use ti wide open for general purpose and it is sharp WO already. SO for macro, depending on preference, you can get the 80 or the 120. I also have a 55mm 2.8 and it is a nice lens, somehow lower contrast then the Zeiss 35mm lenses, but very clean and natural color rendering. CA does sometimes show up, but it is not really heavy, so all in all a nice package given the advantage of the Mirex T/S....Show more →
Forgot to say that I already have the Mirex TS adapter and the 120/4. The 35/3.5 is on it's way. I also have the 60/2.8 for close-up of inanimate objects and 300/4 IS for semi-close-up of skittish creatures.
Conner999 wrote:
Yakim - emails sent
10X. I'll look at them when I get back home.
Conner999 wrote:
The nice thing about M645 is that they are so inexpensive that you're not taking a large monetary risk when you buy & try.
You are right but buying just for trying is not my usual MO.
jcolwell wrote:
Hi Yakim,
I've used five variants of the M645 80mm lens; C 80/1.9, C 80/2.8, C 80/2.8N, C 80/2.8N/L (leaf shutter), and C 80/4N Macro. They're all excellent lenses, and so I think your plan to "decide by the technical stuff" is the right way to go.
In resolution tests 80/2.8N/L is slightly sharper at f/2.8 and f/4 than the (sharp) 80/2.8N. I bought the N/L for its shutter, but I later sold it because I couldn't find a way to use it independently. I didn't know that it works in combination with the body shutter, anyway "live and learn".
Yep, and I learn quite a lot here. 
What is that leaf shutter? What is it good for?
jcolwell wrote:
I have both the C 80/4N Macro and A 120/4 Macro. They're both good, but the 120 is gooder, it's the goodest macro I've ever used (I sold my Canon 100/2.8 USM). I was going to sell the 80/4N, but then I realized that it has a valuable place for shooting at near-macro magnification in a table-top studio setting, where the 120/4 working distance is too long.
I was in that exact situation when I took this shot.
And may I say I really like your choice of words? 
jcolwell wrote:
One nice thing about having both the C 80/2.8 and C 80/2.8N is that I can select which to use according to the subject: I can use the C 80/2.8 on low contrast subjects, for which I would have used Astia film, in the old days; and, I can use the C 80/2.8N on high contrast and colourful subjects, for which I would have selected E100G.
Got some thinking to do…..
Happy shooting,
Yakim.
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