Tremendous shot, Mark! I love the way you set it all up and the fascinating juxtaposition of the boy and the handcuffed hands. I'm missing the connection to "Glass" but maybe I'm just dense.
This is an excellent portrait; perhaps without an obvious direct connection to this week’s theme but a great picture anyway, Mark.
I guess we’re looking at the painful reflection on the glass window as the boy walks away…
CDalessandro wrote:
WOW Mark,this is one intense scene...that boy is a natural model (I have to remind myself that he is)..awesome work. Carolyn Dalessandro
Hi Carolyn,
Thanks for the kind words,
Take care
Mark
Strad wrote:
Tremendous shot, Mark! I love the way you set it all up and the fascinating juxtaposition of the boy and the handcuffed hands. I'm missing the connection to "Glass" but maybe I'm just dense.
All best wishes,
Endre
Hi Endre ,
Dont panic your not dense at all, i just failed to get the message across properly. The shot is through a piece of 1/2 inch glass (Our fire guard) with me one side and my wife and son the other. It took me hours to set up the lighting to work :but i missed one thing. The glass cannot be seen there is no reference to it other than the reflection, It needs a frame. Although i am a little dissappointed it came accross this way it has been my most ambitious project to date.
Live and learn
Take care
Mark
jban99 wrote:
This is an excellent portrait; perhaps without an obvious direct connection to this week’s theme but a great picture anyway, Mark.
I guess we’re looking at the painful reflection on the glass window as the boy walks away…
Thankyou John for your kind words, as to the story; couldn't have said it better myself
Take care
Mark
AuntiPode wrote:
To me what lifts this image far above the ordinary is the the poignant emotional focus of the sharp highlights in his eyes.
Hi Karen,
many thanks for looking in. Once i managed to get the lighting right , and not see the rest of the kitchen, i called my son in. I told him the story, he said ok and produced this within 5 frames. I knew i would have to use it
Take care
Mark
My thought was that you were about to be transported to the glasshouse (slang for prison as you probably know). Anyway, it's well intended and captured even if not too obvious re the connection.
What a fabulous shot, and such an amazingly well-conveyed emotion and story. SOunds like this already took hours to set up, but I am wondering if there is anyway to have the handcuffed hands reaching out to the glass with a reflection so that you capture both your hand and the reflection of your hand to make it obvious that there is a reflection and therefore glass between your son/wife and the hands...
Bill Sutherland wrote:
My thought was that you were about to be transported to the glasshouse (slang for prison as you probably know). Anyway, it's well intended and captured even if not too obvious re the connection.
Hi Bill ,
I may need that explanation to get this through
Take care and many thanks
Mark
MichAg92 wrote:
What a fabulous shot, and such an amazingly well-conveyed emotion and story. SOunds like this already took hours to set up, but I am wondering if there is anyway to have the handcuffed hands reaching out to the glass with a reflection so that you capture both your hand and the reflection of your hand to make it obvious that there is a reflection and therefore glass between your son/wife and the hands...
Your quite right if only i had more time i would love to reshoot it, Unfortunately i am now working through the nights for the rest of this week and wont get the chance, i dont mind as i use the WA to practice, learn and mess up
Take care
Mark