the sinus curve of the oppulant green channel is unique in that it intersects a tangent with the blue channel about mid point down the right side of the bell curve. Only a slight regression of this point would improve the natural luminesence of the yellow poking through at about 343 nanos.....but it makes a nice tonal hue
Let's see what Chad thinks.....ok?
Then I will give a more in depth critique
anthony whitmo wrote:
Dave >> What the heck did you say??
basically just crap.....does this help any?
La curva del seno del oppulant el canal que verde es extraordinario en que se cruza un tangente con el canal azul acerca del punto medio abajo el lado correcto de la curva de la campana. Sólo un retroceso leve de este punto mejoraría el luminesence natural del meter amarillo por en acerca de 343 nanos. ....but hace un matiz tonal agradable
Veamos qué Chad piensa. ....ok? Entonces daré una crítica más en profundidad
Butter blurs are very interesting in a good way, the sharp eye makes them work for me and the wing blur is daring, different and pretty cool!
Now #6, how big can you print that one, nailed it good Anthony, that is stunning! Head on shot of the butt.zz is a good one. I struggled today with mine, you will see
Looks like you got your butt.zz going good, any flowers in que??
Nice shooting and creativity, how did you shoot those blurs?
Anthony, like the heron, hate the perch, love the look of the bird, technically well done it's just that damn perch.
8 is my favorite by far. 7 you are loosing sharpness on the wing a tad otherwise love the shot. Like a fool I looked at the exif to see the setup! Remember, on the count of 3 let's get out of this.......
Nice try on the blurs, I could see why you may be happy with it or not sure. I'm sure, its not for me but hey I didn't think you shot that for me.
The intersected line of the red canal is too steep compared to linen yellow. Everything would prune to itself to regulate with a little bit of sfalsamento on the left when there was being attention not to be exaggerated with the levels