butchM Offline Upload & Sell: Off
|
Well I have been doing the PJ thing for 30 years, 24 full-time. Face it, PJs have to shoot in some of the most marginal conditions out there and in order to bring home the image, you may have to push technology to the limits resulting in some noise.
My view is, noise reduction in PJ work is fine as long as it would not change the content of the image. It would be hard to do so, I think. Noise reduction would be no more of an invasion of the image as color/tone correction, sharpening etc. would be. These adjustments don't alter the image in that respect. This would be no more altering the image than say a conversion to B&W. Cloning, healing, masking, cropping inappropriately, etc. have no place in PJ work.
If the paper(s) you shoot for have rules for this then you would be obliged to follow them. Most papers I have worked for, I know of no such restrictions. It may be possible, to protect themselves when they receive images from outside sources, some papers prefer a totally untouched image so they may then be able to prove from the original, there have been NO modifications whatsoever. Because there are those in the industry who will cut corners to make a buck or promote a point of view. Thank God they are few. Many papers prefer to edit the file in their system and offering them untouched direct-from-the-camera files will help them do a better job as well. No sense in double editing, too much data loss.
Images I prepare for newsprint don't receive as much noise reduction as I would apply to a print for other clients. I think a little noise/grain in newsprint is fine and may add to the overall effect.
|