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p.2 #5 · p.2 #5 · EF TS-E 24mm F3.5 L or EF 11-24mm f/4L USM ? | |
anthonygh wrote:
Very close to buying the 24mm Tilt/shift lens; but a bit of a dilemma....the mark one, or the much more expensive mk 2 (twice the price plus)
Decided to go for the 24mm option after seeing numerous sample pics on-line...I think it is about right for my needs; and as mentioned earlier, have two weeks to change my mind.
I know the Mk 2 is considered the better lens, but my thinking is I could get another different FL Mk1 (say 90mm) and still be less expensive than the Mk2. So as mentioned above.....bit of a dilemma.
PS: Thanks to everyone who has responded to this post; it has been informative. Reminds me why I like this site......Show more →
I have all the original TS-E lenses plus the 17. The 24 and 45 have noticeable CA but modern software will eliminate it. I have used the 24 v2 a fair amount and it is a sharper, higher contrast lens. Great for pixel peeping in comparison to the v1, but whether it will benefit you will depend somewhat on the typical final uses of the photos.
Regarding the 90 v1: it's true that as focal length increases, tilt becomes more important/functional because of how it can effectively control depth of field by tilting the plane of focus, particularly at close distances where simply stopping down might not cover the depth you require. But some of that usefulness has been offset by modern solutions such as focus bracketing and compositing multiple images in software. I have used shift with the 90, but more to finalize composition once the camera has been locked down on the tripod. That said, it can still be useful for typical architectural perspective corrections, etc.
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