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Voigtlander 18mm f/2.8 Color-Skopar X-mount Review

  
 
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p.1 #1 · p.1 #1 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review


Voigtlander 18mm f/2.8 Color-Skopar  X-mount Review
About the Voigtlander 18mm f/2.8 Color-Skopar for X-mount lens:

The Voigtlander 18mm f/2.8 Color-Skopar lens is dedicated for Fujifilm X-mount cameras. Like its sibling, the Voigtlander 27mm f/2 Ultron (review), it's incredibly compact and lightweight, weighing just 115 grams and measuring only 23.5mm long. This makes it perfect for travel photography, especially when paired with a compact camera body like the Fujifilm X-E4.

Cosina equipped this lens with advanced optics, including a double-sided aspherical glass and a low dispersion element, arranged in 5 groups and 7 elements. Despite its small size, it delivers exceptional performance. With a filter size of 43mm, it's compatible with easy to find filters, and its ultra-compact hood is included.

The lens has a minimal close focusing distance of just 0.17mm, allowing for detailed close-up shots and high blur. Its aperture mechanism features 10 straight blades, producing defined sunstars from f/3.2 onwards.

While it adopts a pancake design, typically associated with compromises in size that may impact image quality, this lens performs at a high level with thoroughly modern characteristics. With an aperture of f/2.8, it shows minimal axial aberration correction, ensuring excellent results even when shooting wide open. Many Fuji shooters may appreciate that this lens features a true mechanical helicoid, making hyperfocal distance (zone focusing) shooting very easy to set for applications like street photography. The aperture clicks are distinct and mechanical. When using the lens, one can feel the high build quality, metal construction, and low tolerance.

It's important to mention that the Voigtlander 18mm f/2.8 Color-Skopar and the 27mm f/2 Ultron have very similar barrel designs, sizes, and weights. Both lenses are about 23.5mm long, making them extremely compact. For comparison, the Fujifilm 18mm f/2 R lens, also considered a pancake lens by many, is about 40.6mm long, nearly double the length!

Additionally, the hoods of the Voigtlander 18mm f/2.8 and 28/2 lenses can be swapped, which is convenient for photographers who own both lenses.

This review was done using the Fujifilm X-E4 and X-Pro3 cameras.









X-Pro3 with Voigtlander 18mm f/2.8 Color-Skopar "Silver"


_________


Order the Voigtlander 18mm f/2.8 Color-Skopar:

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Review Quick Links:
  1. Initial Thoughts
  2. Infinity performance on Fujifilm X-E4
  3. Infinity performance compared to Voigtlander 28mm f/2.8 Color-Skopar
  4. Distortion
  5. Sunstar Rendering
  6. Vignetting
  7. MFD performance
  8. Field Curvature
  9. Rendering
  10. Sagittal Coma Flare performance
  11. Color Aberration
  12. Flare Resistance

  13. Final Thoughts
  14. Samples
  15. Samples 2 (Low light)
  16. Samples 3 (Close-distance)
  17. Samples 4 (Golden Light)


Voigtlander 18mm f/2.8 Color Skopar sample images by FM members:

  1. @Juha Kannisto: 1
  2. @Erich6_: 1
  3. @olegkin: 1
  4. @Paul Z: 1










X-E4 with Voigtlander 18mm f/2.8 Color-Skopar "Silver"




The optical design consists of 7 lens elements in 5 optical groups:










The lens weighs a mere 115 grams (excluding the hood), making it exceptionally lightweight. It's super compact and can focus as close as 0.17 meters. Below is an image displaying the lens with the included ultra-compact metal hood.












Main specifications:

  1. Focal length: 18mm APS-C (full frame equiv. to 28mm).
  2. Lens configurations: 7 lens elements in 5 optical groups.
  3. Angle of view: 75.4.
  4. Number of aperture blades: 10 (10-point sunstars).
  5. Minimal focus distance (MFD): 0.17m.
  6. Maximum reproduction ratio: 1: 6.6
  7. Maximum diameter x total length: φ59.323.5mm.
  8. Filter size: φ43mm.
  9. Weight: 114 grams (measured).
  10. Lens hood: Dedicated ultra compact screw-in hood included.









Voigtlander 18mm f/2.8 Color-Skopar vs Voigtlander 27mm f/2 Ultron



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Initial Thoughts:

The Voigtlander 18mm f/2.8 Color-Skopar features a maximum aperture of f/2.8, which may disappoint some who were anticipating an f/2 lens. It's likely that Cosina prioritized size, aiming to match the dimensions of the 27mm f/2 Ultron to create a perfect pairing in the field. It's commendable that they managed to incorporate optics into the same barrel design for the more challenging 18mm focal length.

In practical terms, the lens performs well in most lighting conditions, though it may struggle in very low light situations. The f/2.8 aperture, however, allows it to maintain a compact form factor similar to the 27mm f/2. With an overall length of just 23.5mm and weighing around 100 grams, it's highly portable.

Equivalent to a 28mm field of view on a full-frame camera, the lens provides a wider view without excessive perspective distortion, making environmental portraits more appealing by allowing greater distance to the subject compared to a 24mm lens.

The CV 18mm f/2.8 captures excellent detail at the center and mid-field, even when shooting wide open. While it may not produce significant blur at mid-distances, when focusing on a subject up close, its unique rendering provides a distinct character with some outlining in specular highlights. It is well corrected, so you won't find many color error issues, even at wider apertures, though there may be some lateral chromatic aberration. The lens controls vignetting well, but noticeable vignetting may still be present at the corners of the image when shooting wide open. Fortunately, Adobe has already released a custom profile for this lens.











The lens features electronic contacts that allow communication between the lens and the camera body. When used with compatible camera bodies, it supports features like Exif information, focus check, shooting distance-linked display.

Physically, the lens is well-built and boasts a classic pancake design that exudes charm. It comes with a small metal hood and a dedicated lens cap. Also, a 43mm regular front cap is included for those who prefer not to use the hood. The lens's focus ring features a lever for easy and precise control, operating smoothly and accurately. Enabled by default, the focus magnification activates automatically when you rotate the focusing ring, providing great convenience. With a focus range from 0.17m to infinity, the focus throw is very short from 0.7m to infinity. This may not be ideal for those accustomed to focusing by feel using the tab.

The distance markings on the lens are painted white and engraved on a black metal barrel, making them easy to see when shooting outdoors or in low light. The aperture ring clicks at distinct third-stop intervals, and the focusing ring has smooth rotation with just the right amount of resistance.

Overall, this lens is as well-designed, providing excellent handling and delivering great performance. It offers a useful wide angle at 28mm and a versatile 40mm focal length in full-frame equivalency when used together with the 27mm f/2 Ultron.










Fuji X-E4 with Voigtlander 18mm f/2.8 Color-Skopar and Voigtlander 27mm f/2 Ultron



Feb 14, 2024 at 08:36 PM
Fred Miranda
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p.1 #2 · p.1 #2 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review


Next, resolution, contrast tests.


Feb 14, 2024 at 08:58 PM
darwinphoto
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p.1 #3 · p.1 #3 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review


Subscribed!!!!


Feb 14, 2024 at 09:55 PM
Fred Miranda
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p.1 #4 · p.1 #4 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review



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Infinity Resolution and Contrast on Fujifilm X-E4

Drawing from the excellent performance of the pancake Voigtlander 27mm f/2 Ultron X-mount, I had high expectations for the new Voigtlander 18mm f/2.8 Color-Skopar. However, designing an 18mm lens presents significant challenges compared to a 27mm, particularly when maintaining identical barrel dimensions. The CV 18/2.8 incorporates an additional element and a double aspherical design, which appears to be how Cosina managed to achieve this feat. Optically, it follows a similar pattern to the 27mm f/2, delivering a notably strong center field with respectable mid-field performance. While resolution does decrease towards the corners, it remains satisfactory, though not exceptional even when stopped down, mirroring the behavior of the 27/2 Ultron.

My expectations for high resolution and contrast were met, as the lens proves sharp across the frame even when wide open, though its performance diminishes towards the edges. It achieves its best results at f/4, with only slight improvements at f/5.6. If I were using this lens for landscapes or any application demanding optimal resolution from the center to the corners, I would opt to stop the lens down to f/5.6 or smaller.

Given its compact size, some lateral chromatic aberration was anticipated, and indeed, it is present at the edges, though well corrected. Fortunately, Lightroom already includes a custom profile for this lens, effectively eliminating lateral color errors without compromising image quality.

During testing, no corrections for vignetting or chromatic aberration were applied, allowing for an analysis of its performance without post.


















  1. Distance: Infinity
  2. Focus: Center - Best of three @ 12.4x magnification
  3. WB: Daylight for both lenses
  4. Both Lenses perfectly centered using my decentering test
  5. Software: Lightroom with FM Default Landscape Sharpening. All other settings set to default
PS: Vignetting, CA and distortion was not corrected.



Center Resolution and Contrast
Infinity Resolution and Contrast on Fujifilm X-E4

In the center area, the lens delivers exceptional performance with no further improvement when narrowing the aperture. However, at f/8, diffraction becomes noticeable.





Center: f/2.8 (LEFT) | f/4 (RIGHT)







Center: f/4 (LEFT) | f/5.6 (RIGHT)







Center: f/5.6 (LEFT) | f/8 (RIGHT)




Feb 15, 2024 at 12:03 PM
Fred Miranda
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p.1 #5 · p.1 #5 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review


Mid-field Resolution and Contrast
Infinity Resolution and Contrast on Fujifilm X-E4

Slight increase in resolution and contrast as you close the aperture, though there's a more significant enhancement at f/5.6 and f/8.





Mid-Field: f/2.8 (LEFT) | f/4 (RIGHT)







Mid-Field: f/4 (LEFT) | f/5.6 (RIGHT)







Mid-Field: f/5.6 (LEFT) | f/8 (RIGHT)




Feb 15, 2024 at 12:05 PM
Fred Miranda
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p.1 #6 · p.1 #6 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review


Extreme Corner Resolution and Contrast
Infinity Resolution and Contrast on Fujifilm X-E4

Similar to the mid-field performance, the extreme corners exhibit good quality when wide open and show slight improvement until reaching the optimal apertures of f/5.6.





Extreme Corner: f/2.8 (LEFT) | f/4 (RIGHT)







Extreme Corner: f/4 (LEFT) | f/5.6 (RIGHT)







Extreme Corner: f/5.6 (LEFT) | f/8 (RIGHT)




Feb 15, 2024 at 12:09 PM
Fred Miranda
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p.1 #7 · p.1 #7 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review



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Infinity Resolution and Contrast compared to Voigtlander 28mm f/2.8 Color-Skopar

Some may argue that comparing a full-frame 28mm lens on a 41MP sensor to an APS-C 28mm equivalent on a 26MP sensor is unfair, especially when scrutinizing crops at the pixel level. Nonetheless, I was intrigued to see how the pancake 18/2.8 Color-Skopar would stack up against the equally compact CV 28mm f/2.8 Color-Skopar M-mount. The resulting images display 28mm equivalency, but crops from M-mount lenses will appear larger due to the higher resolution sensor of the Leica M10-R.

It's noteworthy that Cosina designed ultra-compact lenses for both Fuji X-mount and M-mount in the same focal lengths, 28mm and 40mm.

In terms of resolution and contrast, the new CV 18mm f/2.8 Color-Skopar X-mount demonstrated competence at the center, with similar performance in the mid-field, although the M-mount lens has a slight advantage. In the corners, they offer comparable resolution when wide open at f/2.8,, but the M-mount lens shows significant improvement when stopped down, whereas the Fuji 18/2.8 does not improve much from wide open.

During testing, no corrections for vignetting or chromatic aberration were applied, enabling an analysis of its performance without post-processing.









Both lenses come with their respective dedicated hoods. They have the same length when the hoods are not attached.











  1. Distance: Infinity
  2. Focus: Center - Best of three @ 12.4x magnification
  3. WB: Daylight for both lenses
  4. Both Lenses perfectly centered using my decentering test
  5. Software: Lightroom with FM Default Landscape Sharpening. All other settings set to default
PS: Vignetting, CA and distortion was not corrected.



Center Resolution and Contrast
Infinity Resolution and Contrast compared to Voigtlander 28mm f/2.8 Color-Skopar

Note: The Leica M10-R doesn't accurately report f-stop values for M-mount lenses due to the lack of electronic connections. The camera estimates the aperture using a light sensor, but it's often incorrect. Therefore, disregard the aperture value in the EXIF data for the M-mount lens crops.





Center at f/2.8







Center at f/4







Center at f/5.6







Center at f/8







Center at f/11




Feb 15, 2024 at 12:22 PM
Fred Miranda
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p.1 #8 · p.1 #8 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review


Mid-field Resolution and Contrast
Infinity Resolution and Contrast compared to Voigtlander 28mm f/2.8 Color-Skopar

Note: The Leica M10-R doesn't accurately report f-stop values for M-mount lenses due to the lack of electronic connections. The camera estimates the aperture using a light sensor, but it's often incorrect. Therefore, disregard the aperture value in the EXIF data for the M-mount lens crops.





Mid-Field at f/2.8







Mid-Field at f/4







Mid-Field at f/5.6







Mid-Field at f/8







Mid-Field at f/11




Feb 15, 2024 at 12:28 PM
Fred Miranda
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p.1 #9 · p.1 #9 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review


Extreme Corner Resolution and Contrast
Infinity Resolution and Contrast compared to Voigtlander 28mm f/2.8 Color-Skopar

Note: The Leica M10-R doesn't accurately report f-stop values for M-mount lenses due to the lack of electronic connections. The camera estimates the aperture using a light sensor, but it's often incorrect. Therefore, disregard the aperture value in the EXIF data for the M-mount lens crops.





Extreme Corner at f/2.8







Extreme Corner at f/4







Extreme Corner at f/5.6







Extreme Corner at f/8







Extreme Corner at f/11




Feb 15, 2024 at 12:29 PM
Fred Miranda
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p.1 #10 · p.1 #10 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review




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Distortion

The Voigtlander 18mm f/2.8 Color-Skopar shows some barrel distortion, which, although not minimal, is noticeable in real-world images and typically requires a Lightroom correction of +7. Fortunately, Lightroom provides a custom profile for this lens that effectively corrects distortion without significantly degrading image quality.

Below is a comparison of two images: one without any corrections and the other with distortion correction applied. While the original image shows a slight barrel effect, it appears perfect after Lightroom applies the distortion adjustment.




TOP (without any corrections) | BOTTOM (with distortion correction applied)









Feb 15, 2024 at 12:56 PM
 


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p.1 #11 · p.1 #11 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review




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Sunstar Rendering

The sunstars will have 10 points since the lens is equipped with a 10-blade aperture mechanism with straight blades. The aperture mechanism of Voigtlander lenses is renowned for producing well-defined sunstars. What makes it truly remarkable is that, in the case of the Voigtlander 18mm f/2.8 Color-Skopar, defined sunstars are possible even at f/3.2! In contrast, Fujifilm AF lenses lack this capability due to their rounded aperture blades, requiring significantly smaller apertures to achieve decent sunstars.

It's worth mentioning that the Voigtlander 18mm f/2.8 Color-Skopar is multi-coated and performed well on this test in terms of ghosting and veiling flare, even with the sun in the frame.

Here is a sequence showing the sunstar rendering from f/2.8 until f/22 in full stop increments:

Note: The ISO was set to 320 because I utilized the in-camera Dynamic Range enhancer: DR200.





f/2.8

  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/2.8    1/3000s    320 ISO    -0.7 EV  






f/4

  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/4.0    1/1700s    320 ISO    -0.7 EV  






f/5.6

  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/5.6    1/850s    320 ISO    -0.7 EV  






f/8

  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/8.0    1/450s    320 ISO    -0.7 EV  






f/11

  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/11.0    1/220s    320 ISO    -0.7 EV  






f/16

  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/16.0    1/110s    320 ISO    -0.7 EV  






f/22

  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/22.0    1/60s    320 ISO    -0.7 EV  




Feb 15, 2024 at 01:02 PM
yukosteel
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p.1 #12 · p.1 #12 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review


Thank you for the comparison with CV 28mm lens, it's very helpful to decide that I'll only need one of them : )


Feb 15, 2024 at 06:13 PM
Fred Miranda
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p.1 #13 · p.1 #13 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review




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Samples 1
I'm using the Adobe Color profile for these images.

Here are three shots I took this morning while testing the lens for capturing sunstars at different apertures. I used the in-camera dynamic range setting 'DR200', which bumped up the ISO from 160 to 320. However, this adjustment resulted in capturing more detail in the brighter areas.

The Voigtlander 18mm f/2.8 Color-Skopar is optimal at f/5.6, especially at the corners, making it ideal for these kinds of shots, such as landscapes. It's very easy to focus. Simply set the aperture to f/5.6 or f/8 and adjust the lens tab until you reach the hard stop.




  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/5.6    1/240s    320 ISO    -1.3 EV  






  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/5.6    1/850s    320 ISO    -0.7 EV  






  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/5.6    1/170s    320 ISO    -0.3 EV  




Feb 15, 2024 at 07:39 PM
ggweci
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p.1 #14 · p.1 #14 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review


Thanks for the great review Fred (as always)!

Fred Miranda wrote:
Samples 1
I'm using the Adobe Color profile for these images.

Here are three shots I took this morning while testing the lens for capturing sunstars at different apertures. I used the in-camera dynamic range setting 'DR200', which bumped up the ISO from 160 to 320. However, this adjustment resulted in capturing more detail in the brighter areas.

The Voigtlander 18mm f/2.8 Color-Skopar is optimal at f/5.6, especially at the corners, making it ideal for these kinds of shots, such as landscapes. It's very easy to focus. Simply set the aperture to f/5.6 or f/8 and adjust the lens tab until you
...Show more

Very nice samples. Definitely looks to be a great lens option for Fuji shooters.



Feb 15, 2024 at 08:24 PM
Fred Miranda
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p.1 #15 · p.1 #15 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review


yukosteel wrote:
Thank you for the comparison with CV 28mm lens, it's very helpful to decide that I'll only need one of them : )


The CV 28/2.8 Color-Skopar M-mount lens provides sharper corners at medium apertures, but the CV 18/2.8 X-mount lens can focus as close as 0.17m! This adds to its versatility, especially since my Type II version of the 28/2.8 M-mount lens can only focus down to 0.7m. When without their hoods, they both have the same length, so both super compact options.



Feb 15, 2024 at 11:37 PM
Fred Miranda
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p.1 #16 · p.1 #16 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review




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MFD performance and Focus Shift

The Voigtlander 27mm f/2 Ultron lens boasts an incredibly close minimum focusing distance of 0.17m. Its exceptional correction for spherical aberration ensures remarkable performance even when focusing closely. The lens produces outstanding results when wide open at f/2.8, with minimal improvement when stopped down further.

In this regard, the Voigtlander 18mm f/2.8 Color-Skopar performs even better than the 27mm f/2 Ultron. Its exceptional performance at close distances when shooting wide open further enhances its versatility.

While the lens does exhibit slight focus shift, this isn't a concern since it's not designed for rangefinder cameras.

Below is a sequence showing the subject focused at f/2.8, f/4, and f/5.6.




f/2.8 (LEFT) | f/4 (RIGHT)






f/4 (LEFT) | f/5.6 (RIGHT)




Feb 17, 2024 at 07:47 PM
Fred Miranda
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p.1 #17 · p.1 #17 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review




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Vignetting

When using the Voigtlander 18mm f/2.8 Color Skopar lens at wide apertures, you'll notice some vignetting. Without post-processing to correct this natural effect, the vignetting only disappears at smaller apertures like f/8 and f/11. However, Lightroom already offers a custom profile for this lens which removes the vignetting completely.

Below is an example featuring a photo of a cloudy sky taken at f/2.8. The top image displays the natural lens vignetting while the bottom one showcases the result after applying a customized profile in Lightroom:











Because vignetting can be effectively corrected in post, it's not a significant problem, and any degradation in image quality typically manifests as increased noise in the far corners of the picture.

However, to better assess how well the lens handles vignetting naturally without post-processing, here's a series of shots ranging from f/2.8 to f/11:




  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/2.8    1/2700s    160 ISO    0.0 EV  






  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/4.0    1/1400s    160 ISO    0.0 EV  






  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/5.6    1/750s    160 ISO    0.0 EV  






  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/8.0    1/350s    160 ISO    0.0 EV  






  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/11.0    1/180s    160 ISO    0.0 EV  




Feb 17, 2024 at 08:08 PM
Gabe13
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p.1 #18 · p.1 #18 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review


This is great! Really liking the lens performance and nice landscape examples there ...that pretty much confirms for me that this little gem will find a place in my kit. I am actually surprised at how good the MFD performance is wide open too.


Feb 17, 2024 at 09:13 PM
Fred Miranda
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p.1 #19 · p.1 #19 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review




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Samples 2 (Low Light)
All shot wide open and handheld, mostly using the Adobe Color profile.




  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/2.8    1/60s    1600 ISO    -0.7 EV  






  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/2.8    1/60s    640 ISO    -0.3 EV  






  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/2.8    1/60s    1250 ISO    -0.7 EV  






  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/2.8    1/60s    5000 ISO    -0.7 EV  






Pleasant rendering and blur effect for close-up shots.

  X-E4    VOIGTLANDER COLOR-SKOPAR 18mm F2.8 lens    18mm    f/2.8    1/60s    6400 ISO    -0.3 EV  




Feb 17, 2024 at 10:38 PM
Nick Dakota
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p.1 #20 · p.1 #20 · Voigtlander 18mm f/2.8 Color-Skopar X-mount Review


Thanks for the review Fred! Patiently waiting for the release. Keep checking cameraquest.

So what's it gonna be? Going to keep the 18 or 27 on the XE4? I've kept the 27 glued to mine, though the 18 will be more versatile. I was convinced the 27 was the perfect pairing but think the 18 will be the winner. These lenses are so small, can keep one in my back pocket.



Feb 17, 2024 at 11:00 PM
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