Peter Figen Offline Upload & Sell: On
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OntheRez wrote:
Have been playing around a bit with your technique. The masking requires extraordinary precise selection. That's a real challenge. I'll keep messing about with it and thanks again for the information. (Oh, do you have some special selection trick? For me, it's always been slow, often must be redone, and rarely is as good as I want it to be.)
Some selections need to be very precise and others are fine using is big fat soft brush on the layer mask. I use a LOT of Paths to draw very precise selections, but also use Color Range, Quick Select, Select Sky, Select Subject, Magic Wand and whatever you call it when you press the letter Q to manually paint on masks - Quick Mask I think, to name a few, depending on what seems to want to work most effectively. Hell, I'll even use the Type Tool. But really, it just depends on what your image needs and learning what the most effective tools are that lead to the the shortest path to your end goal. Since I've been doing this a long time I don't spend a lot of time thinking about what I'm doing. I just do it, but sometimes I have to try a couple of different methods or combine methods to get the best outcome.
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