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flash wrote:
The difference from 7.1 to f9 in diffraction is almost nil. Not worth even a quaint consideration. I've shot the Canon R5 with 100-500 and 1.4 TC, the Sony A7R5 and A1 with 200-600 with 1.4x and the Fujifilm XH2 with 150-600. All of those combinations make very sharp prints to silly sizes. Diffraction, to me is one of the most over hyped issues with internet forums. I sell prints up to A0 and larger from very high resolution cameras (45-150MP) and have learned that diffraction isn't a hard stop and can't be taken in isolation.
Gordon
https://www.lenstip.com/598.4-Lens_review-Sony_FE_35_mm_f_1.4_GM_Image_resolution.html
https://www.lenstip.com/645.4-Lens_review-Sony_FE_50_mm_f_1.4_GM_Image_resolution.html
https://www.lenstip.com/617.4-Lens_review-Sony_FE_70-200_mm_f_2.8_GM_OSS_II_Image_resolution.html
Empirically, looking at the MTF charts, from f/5.6, f/8, f/11, f/16 to f/22 the good lenses will lose 10 lp/mm for every stop you stop down. This is what I refer to when I say “diffraction” but it certainly can be caused by some other phenomenon.
If you don’t see a difference, its possible the lens tested is not sharp enough to be diffraction limited in the first place. I have not shot test charts with my 200-600 stopped down since I usually use it wide open, but maybe it would be interesting to do.
http://www.normankoren.com/Tutorials/MTF.html
See section on “Human visual acuity”
For a 8x10” print the science says at a 25cm viewing distance someone with 20-20 vision will not be able to distinguish between anything above 55 lp/mm on a FF camera. (Note that this becomes 110 lp/mm for someone with 20-10 vision)
From the lens reviews to exceed this 55 lp/mm we need to be shooting at f/9 or faster, it doesn’t seem to matter what lens you use.
Now if we want to print bigger then we would want more than that 55 lp/mm. Even at just A3+ and the same 25cm viewing distance you would want 90 lp/mm on full frame, that’s pushing what is possible on full frame.
There’s another confounding factor here which is that the lenses are tested at MTF50, meaning a full black line is going to show up at 50% grey on the raw file. I’m not sure if humans can distinguish between 55 lp/mm MTF50, and 55 lp/mm MTF90 on the 8x10” print.
Anyway I would consider f/9 perfectly fine in good light for an 8x10 print, there’s going to be some loss if you print bigger imo
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