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| p.2 #1 · p.2 #1 · Two years of the Sony Small G Trio: User Experiences & Comments? | |
ramesesthe2nd wrote:
All super compact lenses have compromises:
Sigma I Series: AF system. IMO AF is acceptable on all I lenses except the 45mm. 45mm is borderline useless for any moving subject. Sigma in general seems to struggle more with AF than all other vendor in the Sony ecosystem. I feel rendering and IQ of Sigma I series lenses are better than other alternatives in this category.
Sony Compact G: Busy, point and shoot, style rendering. Expensive for what you get for your money. Image sharpness is the key priority of these lenses, not bokeh and rendering. I wish Sony kept 20 G qualities and rendering with the G line up, but clearly the focus of this series shifted after A7C came out.
Samyang: Try to mimic the IQ and rendering style of Sony lenses (Zony 35/2.8, Zony 55/1.8, FE 35/1.8, etc.) and it comes pretty darn close in performance to comparable Sony lenses. Build quality is the bottom of the barrel, and the software updates are too many and require a proprietary dock. However, Samyang lenses usually cost less than half of Sony and Sigma lenses. I recently picked up Samyang 45 to replace my Sigma 45 I. Dustin Abbott praised this lens a lot and I was quite frustrated with the AF on my Sigma 45 I. I am still figuring out how I like the IQ and rendering, but it beats Sigma 45 hands down on AF. The bokeh feels a little busy for my taste and a lot like classic Voigtlander lenses to my eyes, i.e., not as smooth and pleasing as Dustin Abbott claims in his videos.
Tamron: Distortion and fat lenses. I don't know why Tamron was so focused on making all their lenses 67mm diameter in size. Compact primes are not mid-range zooms, but apparently Tamron felt it needed to keep the same diameter on all its lenses.
Sony compact G lenses are not bad lenses, but they offer little to nothing extra to stand out from the rest in this crowded segment. The GM lenses are more expensive than comparable alternatives too, but they always provide extra something that is hard for competitors to replicate.
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I agree with most of what you say, though I think you are too dismissive of the G Trio's rendering and other qualities; I think Dustin Abbott gets these lenses about right.
The GM lenses also have their downside--their size and weight (putting aside the issue of cost). If a large and heavy lens does not interfere with your photography, then the GM lenses are a strong choice. If size and weight matters to you or changes the way your subjects relate to you or the camera, then that is a downside for those lenses.
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