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p.2 #5 · p.2 #5 · Which one is the better basic video camera? | |
tsangc wrote:
Let me defend my reply post 
The OP originally posted a question which was fairly vague...basic video. What's basic video? I consider my video use, which is mostly recording interviews with little movement, pretty basic. I love my C100 for this purpose--it is literally designed for this.
They've since refined that to travel videos--but if it was something like educational or documentary video or anything longer form, a C series camera is seriously the correct choice.
I find DSLR/mirrorless video infuriatingly weird. It's like this situation where the camera is an awkward shape and everything is an outboard accessory. People obsess over all these strange rigs to put camera into some sort of usable configuration, like hot rodding the DSLR into something it wasn't meant to be. Things like dummy batteries and weird power hacks, or gluing viewfinder loupes onto the back screen.
The firmware isn't really designed for video shooting and has none of the things an ENG style camera should have, like waveform monitors etc. For a long time, I don't think they even had zebra stripes for exposure peaking. Other things are just awkward, like you have to dig into a screen menu to find the audio level settings.* On the C100 it's a physical dial and there's one per channel, right next to your XLR jacks.
* maybe they've changed this recently.
My point is, sometimes, perhaps not for the OP's situation, but in many situations, it helps to use the correct tool for the job....Show more →
I know where you're coming from and I completely agree about the weird ergonomics of photo cameras for video. Whenever I see a serious videographer with an enormous cage and a small mirrorless camera in the middle, I just don't get how we got there.
I started out with a pro video camera when I was at the broadcasting company, heavy but ergonomically set up to be positioned just right on your shoulder with the eyepiece in the right place. And I have a friend who shoots for PBS Frontline and whenever I ask him, he's of course always looking at cinema cameras and his gear choices are all higher-priced and more reliable than what I need (e.g. he uses Sennheiser lavalier gear, while I will get Rode). But I want to do it on the side, with a kit that doesn't get in my way while producing technical acceptable results.
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