philip_pj Offline Upload & Sell: On
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I'd forget about field curvature and the rest of it, certainly for now. You have embarked on the exact opposite of what you've been doing. I suggest you find what compositions will work best for your new material. What this means is you see images that let you concentrate on the spatial relationships the image motifs have with each other. Don't second guess the compositions, 21s are notoriously hard to predict - look through the VF.
Walk around with the viewfinder to your eye in your shooting environment. Get close to subjects, avoid too much empty space in the foreground, think 'near-far'. Take advantage of the expansiveness and instant 3D 21mm lenses afford. Look for patterns, for the artistic look.
Avoid stopping down too far, 21s have very extensive DOF. Look for an anchor motif, something that gives viewers a central feature to the photo. Avoid both clutter and boring sweeps of featureless countryside. Worry less about converging lines, look for impact in images, not perfection.
Use a 21 as a point and shoot at f8 and the best general focus, for fast shots. Look for high contrast surfaces, good 21s are great for this. 21s are among the most powerful of lenses.
Look through the image threads of the better 20/21s and analyse what you see in the ones you like. Develop a personal style, we all use 21s differently due to their versatility.
https://www.fredmiranda.com/forum/topic/1389884/24#lastmessage
https://www.fredmiranda.com/forum/topic/1566500/46#lastmessage
[work backwards in image threads - the tests, aberration and corners chat is always up at the front.]
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