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p.8 #3 · p.8 #3 · Z9 and Z8!: A thread for videos and video tutorials. | |
bs kite wrote:
But wait! If the choices are 60 vs120 for wildlife videographers who like slow mo..... why not use 120 fps all the time? What would be the disadvantage?
In addition to CanadaMarks comments...
The problem with shooting 120p all the time and outputting a slower timeline is the relative shutter speeds are incompatible. For example, following the "180-degree" shutter angle rule-of-thumb, capturing imagery at 120p means setting the shutter speed at 1/250s. When outputting to a 30p timeline the NLE will simply drop 3 out of every for frames to produce the final video, but a 30p timeline would normally be shot with a 1/60s shutter, and a 30p timeline with a 1/250s shutter looks choppy and unnatural.
That's why it's always best that the capture and timeline are the same fps and the shutter speed is roughly 2x the fps rate.
BUT, there are tricks and workarounds, sort of...
I often need the extra reach that the Z9's 4k 2.3x DX supercrop mode offers, but it forces me to shoot 120p. If I'm shooting a scene that I *know* I will be outputting the 120p footage into a 30p timeline using 4x slow motion where every frame will be used, then I'll set the shutter speed to 1/250s and the slow-motion output will look natural.
BUT with the camera set to capture 120p and I know the scene that I'm shooting will not be outputted in slow-mo, which means the NLE will be dropping frames, I'll reduce the shutter speed to 1/125s -- the minimum allowed for 120p. This means that even though only one out of every four frames is being used, the shutter speed is a longer 1/120s rather than the normal 1/250 - which makes the output less "choppy". So you can compensate somewhat by adjusting the shutter speed IF you know at the time of capture what the output will be for that particular clip.
Hope this makes sense.
Edited on Jun 22, 2023 at 04:02 PM · View previous versions
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