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Fred Miranda wrote:
It depends on the lighting conditions. When shooting in soft, low-contrast lighting, there will be less glow, and spherical aberration will be less pronounced. In high-contrast light, the effect becomes more noticeable.
Also, when you shoot with the CV 50/1.5 Heliar at close distances, aberration is much better controlled. This is the opposite of what you experience with many other lenses, resulting in sharper, more contrasty images up close compared to shooting at longer distances.
Wow, yeah, sounds like direct opposite to other lens.
I love the soapy bubble bokeh balls of those classic lens, but would prefer less glowy wide open.
Do you think CV 50/1.5 II Nokton would be better option to achieve this?
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