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Camperjim wrote:
I look at skill in photography as consisting of 3 components:
Camera/gear technical considerations (settings, exposure, DOF, processing, etc)
Composition (organization of all of the visual elements in an image)
Artistic style, intent and goals
We can look at these as a Venn diagram where all of the components work for the skilled photographer.
It is relatively easy to find learning aids for the first component. Learning to use the camera can begin with the manual and lots of practice. There are endless numbers of books and YouTube videos explaining the basics and beyond. Practice is of the utmost and in my experience it takes 100s of hours of shooting before use of the camera becomes automatic and easy. There is no shortage of information on post processing and with some screen time you can learn more than you will ever want to know or use. In fact it is easy for many people to become sidetracked and become absorbed by the intricacies of the available software.
Learning composition is a whole lot more difficult. Most photographers, even the full time pros, have limited background. It is even hard to find any useful books or videos. A couple of B&H event space videos can help. David Brommer has one titled Beyond the Rule of Thirds. Many of his examples are from paintings, not photography. Study of art and paintings of the masters is likely to be way more valuable than looking and photography.
The final component and the last "skill" gained involves artistic goals. That is personal and typically develops as the photographer gains mastery of the technical aspects and the visual language of composition.
Sources for learning can be books, videos, camera clubs, formal instruction in photography or the arts, from a mentor or fellow photographers and artists. The sources are less important than the dedication of the photographer. Few people really want to devote the effort needed to excel, master the skills and develop artistic expression. Another big factor in learning is feedback. This can come from mentors, from groups such as camera clubs, from working with gallerists, art teachers and the like. It is often difficult to find useful forms of feedback which help to foster artistic growth. Again, few are interested in that journey as can be seen by even the Fred Miranda forum, Photo Critique. The forum suffers from lack of interest because few photographers are interested in any sort of negative or challenging feedback.
My response is likely to be more involved that the OP expected. One can put a toe in the water, learn to swim or even excel and compete as a champion swimmer. It is easy to put a toe in the water, but lots of work is needed to excel in swimming.
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Thank you for the elaborate reply. I can't agree more on this and it is pretty much the path followed by most photographers that I personally know and shoot with. It always is a much longer journey but one that is quite enjoyable and rewarding. Appreciate your reply and I'll stick to this for now. Thank you.
Cheers,
Gautam
Edited on Apr 07, 2021 at 11:29 PM · View previous versions
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