I will not buy any Leica M glasses for adapting on GFX unless you also use it on M or other MILC system and reserved it for limited user case or shooting format.
I heard 75cron was Good but have not seen any samples. I think 50lux offer one of better coverage but still I am not a fan as I feel image just weird, maybe 65:24 OKish? I feel M glasses in general just show a lot more vignette close to image center even they offer good coverage without hard vignette.
ftllens wrote:
That sounds promising. I saw some daytime samples on the 50R and wasnt impressed but your shot was nice and in line with how I would use it.
This is the Eurogate @ Hamburg-Waltershof. One of the larger container terminals in Hamburg. Both ships are 350m+ and there is a third one in front ...
Well, on the other terminal on the right hand there was another ship from the Evergreen shipping line. I guess everybody was happy to have that vessel safely tied to the terminal...
Many software have quite aggressive adjustment tools these days. A bit of "clarity" is enough to create sharp edged clouds. Even some in-camera JPG-settings do it.
I think you misunderstand crop factors and DOF equivalency.
The pixel architecture of the IMX461 (GFX100S) is identical to the IMX455 (A7R4).
If you use the GFX100S in 35mm format, you are literally using an image area and resolution identical to the A7R4 and thus this lens will perform just like a 50mm f/0.95 would on the A7R4 even when mounted on the GFX100S in that mode.
You misunderstood me I didn’t use FUJI’s 35mm format “mode.” I meant if I want the same frame using FF like this I need a 36mm .7 lens.
Traveling right now, after a few days in this trip I have to say 100s is an incredible camera. The best I ever used in field for landscape. Multi tilt LCD and IBIS are two must have feature from now on for me.
thrice wrote:
I think you misunderstand crop factors and DOF equivalency.
The pixel architecture of the IMX461 (GFX100S) is identical to the IMX455 (A7R4).
If you use the GFX100S in 35mm format, you are literally using an image area and resolution identical to the A7R4 and thus this lens will perform just like a 50mm f/0.95 would on the A7R4 even when mounted on the GFX100S in that mode.
Ohhhh ok. Do you have a shot of blue sky or a flat white wall with the lens at infinity? Would be interesting to see the falloff!
zhangyue wrote:
You misunderstood me I didn’t use FUJI’s 35mm format “mode.” I meant if I want the same frame using FF like this I need a 36mm .7 lens.
Traveling right now, after a few days in this trip I have to say 100s is an incredible camera. The best I ever used in field for landscape. Multi tilt LCD and IBIS are two must have feature from now on for me.
Will post some once I am back from traveling. As many FF glass, I think the user cases are quite limited that for shallow DOF portrait case. So, don’t expect wonders. I have seen/tested many lenses cover this sensor but only 3 I truly love 58G, 80lux and 100AME R.
thrice wrote:
Ohhhh ok. Do you have a shot of blue sky or a flat white wall with the lens at infinity? Would be interesting to see the falloff!
I didn’t use FUJI’s 35mm format “mode.” I meant if I want the same frame using FF like this I need a 36mm .7 lens.