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Eruditass wrote:
The Samyang is sharper. The Sigma's advantage is in it's rendering, specifically the transition zone between in focus and out of focus areas, and handling of complex out of focus areas
Dustin Abbott has a good comparison on YouTube and a blog of the two on his Sigma review.
I now have both lenses and fully concur with your observations. The two lenses share a focal length and lens mount, that's about it. Everything else about them could not be more different.
The Samyang 45/1.8 is unbelievably, crazily, punch-in-your-face sharp and contrasty from wide open, but seriously flawed OOF rendering - abrupt transition from in-focus to OOF, overly contrasty OOF areas, halo bokeh, double-lines bokeh, LoCA bokeh, astigmatismatic bokeh... you name it, the Samyang probably has it. The Sigma 45/2.8 C is sharp where it needs to be, not as sharp as the Samyang even at 1.8, and has a "veiled" look wide open despite high microcontrast, but the OOF transition and bokeh is sublime.
These shots hopefully illustrate what I mean. Both handheld, A7RIII RAW processed using Capture One 12 with low sharpening:
Sigma 45C @ 2.8
Samyang 45 @ 1.8
100% crops (Sigma left, Samyang right)
The Samyang F/1.8 shot has more "blur" (less DOF) for sure, but you can see especially in the 100% some of the aforementioned flaws, including a very sharp plane of focus which falls off a cliff edge into a big blurry mass which distracting halo and double-lined bokeh popping out. The Sigma shot to me looks far more pleasing on the eye.
(Note the focus distance is slightly different in the two shots so ignore sharpness, but this is not sufficient to explain the dramatic difference in the look of the OOF areas.)
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