zaphodm Offline Upload & Sell: Off
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p.3 #5 · p.3 #5 · Tamron 28-75/2.8 FE Infinity test (Resolution & Contrast) | |
Thank you for the reply. I don't mind the colors of the Tamron at all, happy with what I'm getting from it. It just doesn't "sing".
Wondering specifically about the colors of the Tamron vs the colors of Voigtlander 40mm f/1.2. Tamron seems generic, where the 40mm seems to have something extra (to my eyes). Trying to turn that difference into something tangible that I can use to maybe adjust my photos from the Tamron to closer match the colors of the Voigtlander. Maybe I'm just being too vague or abstract about what I'm looking for. Probably will just have to wait until I can afford to buy the Voigtlander and compare them myself.
Thanks!
(And I know this sounds like I'm looking for a magic one-click-type solution to make an average photo magical, but it's not that. There's just something about the 40/f1.2 shots that hit a spot in my brain. Color is one. If I can work out what it is, I can not only look to get that from other images, I can find where that also occurs in the real world, or where it enhances the story/completeness of the image.)
Do you guys ever get that twang in your brain from something that just makes you go "that's me"? In my artwork it's always been a particular color palette (six particular Derwent pencil colors), or a particular paper (BFK Rives), or a particular font (Doves Type).
Once it hits, it doesn't go away.
With lenses, I've had a lot of near hits (Canon S-series 50mm f/1.4 and Hexanon 57mm f/1.2 come to mind straight away), but that 40 is just me.
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