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| p.2 #1 · p.2 #1 · What kit would you pick (weddings & portraits) | |
ytwong wrote:
I think imperfect FE 35/1.4 just affect (night) landscape or test chart shooters so I wouldn't worry about that for portraits use.
But I do want to shoot night landscape (among other things) with 35mm so I do worry about getting a slightly misaligned copy
If the misalignment is more than slightly then I think Sony would fix it anyway.
I disagree with that. I had an imperfect copy of the 35/1.4 for quite a while, and recently had the good fortune to buy a perfect copy from Fred.
It's certainly true that the difference between a good copy and a bad copy is going to be less noticeable for portraits than for landscapes. But even for portraits at f/1.4, with the subject in the center, I can see a clear improvement with my perfect copy. The subject's eyes and eyelashes are noticeably sharper. I should mention that my bad copy was the best out of 3 or 4 that I had tried, so it wasn't completely awful -- and I did take quite a number of nice pictures with it despite its flaws. Again though, the difference in sharpness is quite evident (at least to a trained eye).
I also wouldn't count on Sony to fix a bad copy -- again, based on my personal experience. If your copy is really terrible, then sure, they'll replace it. If your copy is just somewhat bad, rather than astonishingly bad, they'll test it and tell you that it's "in spec". Their testing procedure is to shoot a flat test chart at f/4 with test markings that are 10-15% inwards from the edges and corners. My bad copy clearly had issues at f/1.4 put passed their f/4 test.
All that said, this is truly an amazing lens if you can get a good copy. It's absolutely worth the time and effort to try to get your hands on a good one. But, having tried 3 or 4 bad ones and one good one, I do think the complaints about quality control are very valid and not exaggerated.
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