jcolwell Offline Upload & Sell: On
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p.3 #16 · p.3 #16 · Is there any alt 28mm or 24mm lens that is sharp from corner to corner | |
timballic wrote:
... after 3 copies I found a CV 20/3.5 that was much better in the corners at F/8 than the above ;o) It nearly equalled my OM 21/3.5...
Hi Tim,
I believe it. My CV 20 was plenty sharp in the central areas. My Oly 21/3.5 was better (I owned four), but I kept the SMC Pentax-M 20/4, because it's noticeably sharper in the central areas (zones A & B, not quite to the edge of the frame). I'm on the lookout for a SMC Pentax 20/4, just in case.
timballic wrote:
...The "humble" Tokina always impresses me, (though mine is pre "AT-X" with 11:9 formula rather than 10:8)
I also owned the Tokina SL 17/3.5 RMC, which wasn't as good as the AT-X.
timballic wrote:
(By the way, what application do you use to compare several together like that, it beats my screenshots of Lr "compare" mode)
It's just screen shots of multiple windows opened in PS CS6. It's a pretty handraulic process, but it works great. First, I screen the test images, usually to select which one is the best-of-three (I usually shoot three exposures for each condition). The image that I select is saved as .psd and named something descriptive, like "EF 24-70 f4 L IS at 50mm f8 IMG_filennn.psd". This filename appears in the PS window title area. So, I open the image for the first condition (say, "M5 12mm EF-M 11-22 IMG_...") and size it to somewhere between 2" and 4" wide (usually square-ish), depending on how many windows I plan to show, in total. Then, I open the image for the next condition, size its window 'over' the first one (to match sizes), and then move it right, or down, or where ever. Once all of the windows are set (usually between three and six), I set each window to 100%, and use the Navigator window to place the view in each panel (i.e. each condition) to the same place. Doesn't take long, once you get used to the process. Also, it's helps you get to know each image, which is good, because that's the point of the whole exercise. 
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