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scalesusa wrote:
Since the A6500 is not really aimed at high end photo enthusiasts, Sony apparently believes that the target audience will find the compressed images better overall.
The A6300 being the most expensive alpha APS-C camera Sony puts out, I guess you are being sarcastic ?
The A6300 is definitely one of the most competent APS-C cameras IQ wise, but like all of them, you need an actual RAW developer to unfold its potential. In-Camera raw / straight out of camera JPEGs will fall short. Won't be bad, just the nature of the 8-bit JPEG will force the camera to make decisions, clipping DR from the RAW file that will displease us one way or another. Maybe you can get away with some in-camera HDR mixing, but that's a different story and again, you have no real control on how the blending is happening. You need to do that manually.
I don't think the M5 will be any different, other perhaps than having a slightly better color tonality out of camera, especially for skins, which seems to be Canon's strong point regardless of model.
The Fuji's are in general considered to have the most successful in-camera processing algorithms, but again, extreme scenarios like star-scapes / star-trails are very hard to produce with generic factory presets for JPEGs.
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