Andre Labonte
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loosh wrote:
That's interesting, those images are probably the ones I like the least. To me, it's more about the expression and being in the moment - sometimes a perfectly composed image seems "canned"(?)
Thank you for your feedback.
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I was simply commenting on where the depiction of motion was well done and not detracted from by compositional choices. As Chuck said, something in the frame has to be in clear focus (not blurry) and that becomes the key subject or the backdrop (one or the other). Blurry images are just that, blurry images; most of the time they don't work well. #9 is a notable exception to that generality as it clearly has an impressionistic feel to it.
Like or dislike of an image when the subject is personal to us is tainted by our emotional connection. That does not devalue the image for you, but it may explain how/why others may view the image differently.
One other thing of note: Some shots may be great shots, like #14, but the lack of background blur does not make it a great motion shot.
For what it is worth, my favorite shots, are 3, 9 and 14  with 11 and 12 getting honorable mention.
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