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Denny JetTone wrote:
The lovely photo stands on its own and speaks for itself without need of a back story, but the story behind the shot is terrific.
I usually find dilated pupils distracting (Anton Corbijn’s portrait of Miles notwithstanding) but your use of the deep pupils with this model is compelling.
I would look forward to attending any workshop led by you.
Denny
Hey Denny,
I'm with you on the dilated pupil thing - I usually have a spider-light set in the studio pointed at the model to keep those puppies at bay - but my exception is any image that is supposed to look...for lack of a better term 'bedroomy'. Really, anywhere that would be subtlety lit - a candle lit scene in a restaurant for example - when the dilation suits the indicated ambient. Then I find fully light-filled eyes distracting. At the end of the day, lighting, hands, eyes, body line and expression - they all need to be telling the same story.
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