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Archive 2015 · "Incoming" (at 6 Mile Bend)

  
 
Mark Metternich
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p.1 #1 · p.1 #1 · "Incoming" (at 6 Mile Bend)


(Not Horseshoe Bend)
You are looking about 1500 feet (457 meters) down into a canyon and at an incoming mega monsoon electrical storm, about 3 miles (5 kilometers) away just before it slams into 6 Mile Bend. I hardly had time enough to pull off about 4 series of bracketed exposures before having to run for cover.



Single Exposure

Sony A7R2

Canon 11-24@11mm

f/11

200 ISO

1/160th sec

Lightning Trigger

Minimal Adjustments


A new FREEBIE on Mastering Web Sharpening is here:




Longer story (for those interested):

After spending several weeks in this location scouting and shooting, looking for some special locations and dramatic conditions, I was climbing around, half way down in the canyon (the canyon here is about 1200 -1500 ft) when I heard a very deep rumbling sound in the far distance. I paused for a moment to see if it would repeat. After it did, I checked the wind direction and then I knew another potentially violent thunderstorm could be on the way. The real question was if I could climb all the way out of the canyon in time to get back to my preferred composition and then to my rig so I could take much needed shelter. 30-40 minutes later, as I reached my rig, armageddon was just beginning to approach the area. My impulse was to dive into my rig (especially after being knocked down by lightning about a week earlier on the North Rim) but the other part of me knew there may be an unusual photo opportunity to be had. With my gear on my back, I ran several hundred yards including some easy scrambling to this position and I was greeted with a scene that honestly intimidated me. This monster storm you see (at about 2-3 miles away - in this photo) was heading straight toward me and I knew it would be on top of me in a few minutes. With my lightning trigger on my cameras hot shoe mount, I set up in less than 45 seconds, shot off about a dozen images, including several lightning strikes, then I RAN back to my rig and dove into it just as fury slammed the area. 

Side notes: I have a great friend who is literally down below (I cloned his boat out) leading a fishing trip (he has been doing this for decades). He said a wall of fog, lightning, hail and rain came up the river on this one and then, after a few minutes, massive flash floods poured off the cliffs like waterfalls from 1500 ft up. That must have been an awesome spectacle! This next year I may combine with him for biz.

As always, thank you for looking!






Edited on Jan 11, 2016 at 03:35 PM · View previous versions



Dec 27, 2015 at 10:12 PM
JimFox
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p.1 #2 · p.1 #2 · "Incoming" (at 6 Mile Bend)


Hey Mark,

That's a pretty cool location for sure. Quite the storm there, the lightning is a real neat catch with it.

Jim



Dec 28, 2015 at 02:01 AM
Jeff Simpson
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p.1 #3 · p.1 #3 · "Incoming" (at 6 Mile Bend)


Great photo and thanks for sharing the freebie!

This method and other similar methods of sharpening have dominated the way we show images online for the last 10 years or so, but it's all changed now due to the advent of high resolution screens.

It's not about sharpening for your typical CRT or 1080p LCD monitor, it's about having the largest image as the "source" and viewing it scaled down. I'm terrible at explaining things, but the way browsers work today on high res (retina) screens is by upsizing non-vector images, which renders all sharpening useless. Unfortunately this applies to the 1250px images above- it's blurry on all high res screens, sharpened or not. In an ideal world it would need to be 2500px on the long end, and scaled down accordingly on FM for the end user.

I'm not saying anything in the video is incorrect, I'm merely stating we are at a transition period on how we accurately display web images going forward... which is somewhat fascinating to me. To do it right you will need two sharpening methods (high + low res screens) AND an understanding of how the chosen browser/website will render the images. This topic is pretty complex since is involves so many factors these days. Maybe you already have these tutorials in place!

Either way I don't want to derail a thread with a killer landscape photo and free tutorial, because that is rare! Great stuff, Mark.








Dec 28, 2015 at 09:51 AM
matthewsaville
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p.1 #4 · p.1 #4 · "Incoming" (at 6 Mile Bend)


I fear I may some day read about you in the news, in a very tragic, unfortunate manner. Don't let that happen! :-)

Gorgeous image though. As usual I'm not the greatest fan of vertical 2:3 shots, compared to a 4:5 crop, but it works pretty well considering the curves in the clouds and the stones.



Dec 28, 2015 at 12:27 PM
matthewsaville
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p.1 #5 · p.1 #5 · "Incoming" (at 6 Mile Bend)


Jeff Simpson wrote:
Great photo and thanks for sharing the freebie!

This method and other similar methods of sharpening have dominated the way we show images online for the last 10 years or so, but it's all changed now due to the advent of high resolution screens.

It's not about sharpening for your typical CRT or 1080p LCD monitor, it's about having the largest image as the "source" and viewing it scaled down. I'm terrible at explaining things, but the way browsers work today on high res (retina) screens is by upsizing non-vector images, which renders all sharpening useless. Unfortunately this applies to the
...Show more

The issue is, of course, how many megapixels do we as fine art photographers actually want to release publicly? A screenshot from a 5K retina iMac could be good enough to make a pretty beautiful 16x20" print, unfortunately, for a less discerning eye at least, or certainly enough for any of the many, many common uses that various types of copyright infringers like to do with images sourced from Flickr or 500PX.

In sort, I'm drawing the line somewhere, and sticking to it, for now. For me, that line is approximately a 1920x1080p display.

I know quite a few photographers who have no trouble selling both prints and image licenses with paltry 600-1000 pixel "thumbnail size" images through their online websites, so IMO as much as it would be nice to wow the next generation with eye-popping online images on high-res displays, I think that is a very complicated decision that should only be made on an individual photographer basis, based on what one's ultimate goals are. It may very well be that looking beautiful on 500PX is all you need to generate a handsome income from workshops and tutorials, of course. There are many ways to make a buck these days in photography. ;-)



Dec 28, 2015 at 12:48 PM
matthewsaville
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p.1 #6 · p.1 #6 · "Incoming" (at 6 Mile Bend)


Mark Metternich wrote:
You are looking about 1500 feet (457 meters) down into a canyon and at an incoming mega monsoon electrical storm, about 3 miles (5 kilometers) away just before it slams into 6 Mile Bend. I hardly had time enough to pull off about 4 series of bracketed exposures before having to run for cover.



Single Exposure

Sony A7R2

Canon 11-24@11mm

f/11

200 ISO

1/160th sec

Lightning Trigger

Minimal Adjustments



I'm glad to finally hear from someone who is an expert in the field, that I am not crazy for liking the 500 @ 0.2 recipe, AND also the Bicubic method. I feel much less dumb now for thinking these were good ideas, haha. But, considering that we were in accord WRT raw sharpening radius / techniques as well, I guess I shouldn't be surprised. :-)



Dec 28, 2015 at 12:52 PM
B Landau
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p.1 #7 · p.1 #7 · "Incoming" (at 6 Mile Bend)


Terrific image! I really like the mood and composition - well done!


Dec 28, 2015 at 03:59 PM
Mark Metternich
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p.1 #8 · p.1 #8 · "Incoming" (at 6 Mile Bend)


JimFox wrote:
Hey Mark,

That's a pretty cool location for sure. Quite the storm there, the lightning is a real neat catch with it.

Jim



Thanks dude.


Jeff Simpson wrote:
Great photo and thanks for sharing the freebie!

This method and other similar methods of sharpening have dominated the way we show images online for the last 10 years or so, but it's all changed now due to the advent of high resolution screens.

It's not about sharpening for your typical CRT or 1080p LCD monitor, it's about having the largest image as the "source" and viewing it scaled down. I'm terrible at explaining things, but the way browsers work today on high res (retina) screens is by upsizing non-vector images, which renders all sharpening useless. Unfortunately this applies to the
...Show more

I get you on the high rez screens. A lot to learn there as more people start converting over.




matthewsaville wrote:
The issue is, of course, how many megapixels do we as fine art photographers actually want to release publicly? A screenshot from a 5K retina iMac could be good enough to make a pretty beautiful 16x20" print, unfortunately, for a less discerning eye at least, or certainly enough for any of the many, many common uses that various types of copyright infringers like to do with images sourced from Flickr or 500PX.

In sort, I'm drawing the line somewhere, and sticking to it, for now. For me, that line is approximately a 1920x1080p display.

I know quite a few photographers who have
...Show more


Yes, there will be and already is a lot of resistance toward images like 2048 (which works great on 500px). Because yes, one can steal and then print that at pretty decent sizes. So, as our screens get higher and higher in rez and larger, it will be interesting what people will be willing to put out there. I know Adamus puts his 500px images out at 2048, but a lot of other great photographers who know that, are NOT following suit. Will be interesting to see.



matthewsaville wrote:
I'm glad to finally hear from someone who is an expert in the field, that I am not crazy for liking the 500 @ 0.2 recipe, AND also the Bicubic method. I feel much less dumb now for thinking these were good ideas, haha. But, considering that we were in accord WRT raw sharpening radius / techniques as well, I guess I shouldn't be surprised. :-)




B Landau wrote:
Terrific image! I really like the mood and composition - well done!


A big thank you. I know it wont be the most popular image (people gravitate more toward happier images) but I am glad some like it...






Dec 31, 2015 at 05:08 AM
nicknick23
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p.1 #9 · p.1 #9 · "Incoming" (at 6 Mile Bend)


Hey Mark,

Just watched the sharpening video....WOW....thanks for making that...!!

What a shot! That looks like it was quite the storm...Your South West work is awesome!!!



Jan 03, 2016 at 12:18 AM
kmunroe
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p.1 #10 · p.1 #10 · "Incoming" (at 6 Mile Bend)


nicely done Mark.. the lightning is cool


Jan 03, 2016 at 04:37 AM
A.T.M.
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p.1 #11 · p.1 #11 · "Incoming" (at 6 Mile Bend)


Hey mark! That sounds like it might be pretty fun, fishing/ photo trip! I'm interested...


Jan 11, 2016 at 12:14 AM
AMaji
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p.1 #12 · p.1 #12 · "Incoming" (at 6 Mile Bend)


Great location and image. The lightning is the cherry on top.


Jan 11, 2016 at 12:34 PM
Fred Miranda
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p.1 #13 · p.1 #13 · "Incoming" (at 6 Mile Bend)


It's a refreshing composition for this location Mark. I like it a lot!
On my monitor there is a little green tint bias.
Fred



Jan 11, 2016 at 12:43 PM
Chuck Eklund
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p.1 #14 · p.1 #14 · "Incoming" (at 6 Mile Bend)


I really like the dark and foreboding atmosphere of this image.

Chuck



Jan 11, 2016 at 01:33 PM
Mark Metternich
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p.1 #15 · p.1 #15 · "Incoming" (at 6 Mile Bend)


Thank you everyone. Really appreciate it.


nicknick23 wrote:
Hey Mark,

Just watched the sharpening video....WOW....thanks for making that...!!

What a shot! That looks like it was quite the storm...Your South West work is awesome!!!


Thanks Nick. I appreciate it. Lets hook up next time I'm down there. Quit working so hard!



kmunroe wrote:
nicely done Mark.. the lightning is cool


Thank you!



A.T.M. wrote:
Hey mark! That sounds like it might be pretty fun, fishing/ photo trip! I'm interested...



Yes, at least a boat ride up the entire Marble Canyon. I'll keep you informed. It will be epic.




AMaji wrote:
Great location and image. The lightning is the cherry on top.


Thank you very much. A bit scary but not too hard to capture during monsoon season. This last year was incredible all summer and fall.



Fred Miranda wrote:
It's a refreshing composition for this location Mark. I like it a lot!
On my monitor there is a little green tint bias.
Fred


Thank you very much Fred! I appreciate the feedback. Yes, this is not Horseshoe Bend and is a really marvelous gooseneck location for those willing to 4WD and adventure a bit to get to.

As far as the bias, I think it could be your monitor or settings. I am on a Spyder calibrated Mac 27 inch, a Macbook Pro and also a Dell Ultrasharp and do not see a green bias. To double check I did some careful color sample picker / dropper tests all over the image but could not find any neutral areas that lean green. Most lean very slightly toward a blue/magenta. I would shift it otherwise, because I (and most) do not usually like leaning green. I do appreciate you pointing it out though.


Chuck Eklund wrote:
I really like the dark and foreboding atmosphere of this image.

Chuck


Thank you Chuck. I appreciate it. I know foreboding images may be a bit less popular, but sometimes I like to see / capture the presence of power...









Jan 12, 2016 at 04:49 PM





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