millsart Offline Upload & Sell: Off
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The 35/2 Sonnar on the RX1 is the single best lens overall I've owned of any focal length. Tough of course to compare to different focal lengths, but the overall combination of its across the frame sharpness, creamy bokeh, compact size, and just overall way of rendering is unmatched.
A large part of this is due to its unique design of being custom paired to the sensor. If you look at a cut away of the camera/lens, the rear element is massive, and right against the sensor. Its a big advantage of a fixed lens camera design.
I've bought and sold the RX1 3 times over, always thinking that each newer edition of the A7 series I buy would eliminate my need for it, and it never does.
Lens like the VC 35 and 40 have a unique look, and are fun (thought I hate the focus tab which is really uncomfortable) but they render totally opposite from the smooth creamy Zeiss look of the Sonnar. Harsh ugly bokeh, which has its place, but still, night and day.
Likewise, the 35/2.8 FE....decent lens, small size, nice cost, but so clinical and boring. Again, pretty dramatic difference
Sigma 35/1.5, ZE 35/1.4, VC 35/1.2 et al... some pretty nice optics, but all just so darn big, and for me anyways, something I totally want to leave at home. I didn't mind 35/1.4's when I was shooting big pro body DSLR's like the D3s, but on the A7 they just don't balance that well. Defeated the whole point of a small mirrorless kit, which I bought because I didn't want to drag around the DSLR rig I use for my paid work.
That is where the real beauty of the RX1 comes in and remains unmatched. Its this tiny little camera that hardly looks more than a high end P&S, but that can produce these amazing files, with IQ that rivals anything else I've owned.
I can add a little daylight fill with its pop-up flash if needed thanks to the 1/2000th sync speed of the leaf shutter. I can shoot nearly silently (with no jello cam effect) again thanks to the leaf shutter.
I can slip it into my jacket pocket if I want to even.
Its not a perfect camera, and can't replace the A7, but at the same time, the A7 can't replace it either.
Its just a unique little masterpiece that surely will go down as a classic camera.
At $2800 new, it was a little step, but now you can get one for about half that, which is pretty incredible. 24meg FF sensor with Zeiss 35/2 lens and in one of the best feeling builds short of Leica, and all for $1500 or so.... can't beat that
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