Archive 2014 · Sunrise Shea

mingzeli
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p.1 #1 · p.1 #1 · Sunrise Shea

C&C are welcomed

Jul 22, 2014 at 11:50 PM

Timmeh
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p.1 #2 · p.1 #2 · Sunrise Shea

Since the road is the dominating part of the foreground, it would have great if it had led to a peak, or the sun. The blown out area of around the sun looks natural, but having a bit more detail would have been great. Did you bracket?

Tim

Jul 23, 2014 at 11:30 AM

mingzeli
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p.1 #3 · p.1 #3 · Sunrise Shea

Timmeh wrote:
Since the road is the dominating part of the foreground, it would have great if it had led to a peak, or the sun. The blown out area of around the sun looks natural, but having a bit more detail would have been great. Did you bracket?

Tim

Hi Tim,

I didn't bracket for the shot. I did tune down the exposure in the PP. It might be possible to get the road as the leading line to the sunrise if I drove further down the road. Thanks for the comments.

Jul 23, 2014 at 03:58 PM

JimFox
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p.1 #4 · p.1 #4 · Sunrise Shea

I agree, the ground layer is too dark. Use a layer mask on the ground layer and bring out more detail there. But from what I can make out, I am not sure how effective that road will be, as there is a swing out for a sidewalk I guess part way down it. For me when I do road shots, composing the shot at a part of the road where there are no pullouts, or turnouts is pretty important.

Jim

Jul 23, 2014 at 06:22 PM

mingzeli
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p.1 #5 · p.1 #5 · Sunrise Shea

JimFox wrote:
I agree, the ground layer is too dark. Use a layer mask on the ground layer and bring out more detail there. But from what I can make out, I am not sure how effective that road will be, as there is a swing out for a sidewalk I guess part way down it. For me when I do road shots, composing the shot at a part of the road where there are no pullouts, or turnouts is pretty important.

Jim

Make sense Jim. Thank you for the comments.

Jul 23, 2014 at 06:32 PM


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