friscoron Offline Upload & Sell: On
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I don't think this is the answer you're looking for, but I think photographers' ascent is driven by themselves. It's organic. I think it's important to study and research photography by our peers, particularly those who are shooting where we want to be. If we want to shoot high-end family portraits or weddings, we need to see what is currently being done in those markets in our area.
But we don't study or research to copy their methods or styles, but simply for inspiration.
I don't really believe in a template approach. Taking different families and shooting the same way for all of them. I think you go to an ideal location -- and I think it's critical that you find a number of different locations that work for different times of day and different times of year, esp in Colorado.
You have to know how to pose people and using natural or strobe lighting that is flattering. But then it's just a matter of connecting with them, finding what works for them as a unique group to photograph. Most importantly, you have to simply be yourself. If you're walking around with one of those pose card things, what the heck are you learning? You're learning to follow some instructions on a card. How long is that going to stay with you? This is my challenge, too, but I feel like I began coming into my own this year, or part of it is confidence derived from the little success I've had this year. But I'm still working on this every time I go out to shoot, no matter what the shoot.
It used to be that I would go out on a shoot and I would be stressed a bit because I wanted to do everything I'd seen in a photo magazine, or on the net, or one of these forums -- and I wasn't in the moment with the clients. I was trying to remember poses or lighting instead of interacting with them. Then I would rush through the shoot and it all just felt like a failure to me. I've realized the failure is that I just wasn't being myself.
Now I go to our location. I find the light. I find a good background. And then I focus on the clients. I have fun with them in ways I never do. I don't ask them to smile, I crack them up. I'll shoot some of them laughing then ask them to hold it, and the laughter evolves in a very nice, natural smile. Not that camera smile. Some people look awesome with a serious look, others look bored. So you find what works for them.
But don't take my word on all this, as I'm no high-end shooter. Not yet, anyway. I'm in Year 2 of a four-year plan to get there. So far, things are going well. And y'know, the thing is, if you're a formula shooter -- well, anyone can be a formula shooter. But there can only be one Robinson Usagani shooter. Only one. So be yourself, develop yourself, and sell yourself. And if you get there first, tell me all about it. 
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