Jamesmdo Offline Upload & Sell: Off
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friscoron wrote:
We all have our individual styles, and what I have to say may not go along with the style you want to develop. If that's the case, you read, you chuckle, you move on.
For me, in this four pics, shot No. 2 is a classic head shot. It's very nicely done aside from the light being too high up, throwing a shadow over her lower eye lid, causing kind of like a raccoon eye. But I still really like this shot.
The others are really tight. No. 1, she's looking away; No. 3, she's thinking; No. 4, she's doing something. What is she doing? Each time you step back, you introduce more information to the picture. You provide context. Is she studying for an exam, and No. 3 shows that she's nervous about it? No. 4, she's hard at it, studying?
We need more information for you to tell your story. By stepping away from your subject and including more of the environment, you can give us context, and you can tell us more about your subject. Think about a portrait photographer that you admire, and go take a look at a series of portraits he's (or she's) taken of someone. ...Show more →
Thanks so much for that point , I understand , yes you are right , I really appreciate didactic critics ;-)
That way ill have all options and I can choose , that's why I kind of like a 50 for portraits , I find it easier to get some context in .
The truth is , in these specific shots the surroundings where dreadful , so better you don't see them :-):-):-)
Thanks again sir ;-)
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