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p.1 #6 · p.1 #6 · Do you have an emotional attachment to your lenses? | |
My emotional attachment exists but is extremely low. I have about the same emotional attachment to my gear as I do a roll of tape, a flower I just met, or a CD of music I just DLed and burned. If any of those things die, get lost, or meet an untimely end I go "Awwwe" for a few seconds and then miss it only when/while I go to use it and find it's not there - which just evokes another momentary "awwwwe".
"Soul" at least as I think of the term just now is an almost all external thing. It's a sense of appreciation but it comes from the thing's inherent qualities as an engineered and styled tool, device, or commodity. In the case of the cameras we were talking about it was pertaining to how much "soul" it's makers put into it's creation and styling.
This probably won't explain it properly but it's like:
I see Sony/Panasonic/Samsung cameras as completely soulless because I think with all the faculties and information I possess, that they just tried to make something they could mass produce SUPER cheaply and that they might be able to get people to buy on spec. (IOW they were/are purely a profit making venture).
With cameras of old, Leica, and to a slightly lesser degree models like the Fuji X-100 and the OM-D however, I think they came into existence from one or a few people wanting to create something cool, something from a held vision and/or within esoteric principle. There's profit involved but mostly only as a means and not an end or as a main goal.
It's the same way with my music selection. I enjoy music of all kinds when it's soulful. I almost always hold indifference for music created (mainly) for commercial gain. With music it's usually very obvious too - but with cameras, electronics, and items it's often much more subtle and sometimes even requires knowing something about the inventor, manufacturers, or founders and maybe the histories thereof as well.
Edited on Feb 22, 2012 at 03:29 PM · View previous versions
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