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kakomu ... +1 @ not brand specific, that's part of why I shoot with the Oly 28/3.5 vs. the Oly 28/2. I also have the Nikon 28/2.8 AIS and the C/Y 28/2.8 Distagon. For any given subject and how I want to render it will dictate which one I decide to use, i.e. no such thing as one size fits all, imo.
To me, the Nikons transition faster and the Oly a bit gentler. Nikon's tend to have more central sharpness and roll off harder into the edges and corners, whereas the Oly's seem to have more even sharpness across the frame, even if they start off with less in the center. Nikon's colors can be a bit more punchy, whereas the Oly's can be a bit more subdued. My experience has been that lenses designed with that rapid transition are more inclined to have the nervous bokeh than those that transition a bit more evenly/slowly.
I'm certain that my technicals are off on this, but it's what I've noticed in my shooting.
Nikon's typically have more contrast than Oly's, with the Oly's having a bit more of the tempora look. If I know I'm going for a dynamic rendering in B&W of a central subject ... my first thought is the Nikon 28/2.8 AIS. Looking for a more soothing rendering, Oly 28/3.5, and for micro-contrast detail, the C/Y gets the call. The DR of the scene may influence my decision as well (usually between the Oly & the C/Y for color), relative to my intended output.
Back to the 100 Macro ... Tamron 90/2.5 Macro ... all day long, can't go wrong. Light on the wallet, light on the back, double duty as macro & regular ... delivers with a more 'neutral' drawing style, excellent detail and has some nice bokeh. Uses a dedicated 1:1 extender. or you can go 1:2 without it.
Of course, there is the Oly 90 macro of excellent report (no experience) if you prefer the Oly drawing style.
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