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p.1 #5 · Considering MF film setup | |
The 645 is a bit of a waste, if you ask me. The negative is not that much larger than a 35mm. Going to 6x6, 6x7, or even 6x9 really does make a difference in terms of resolution (as well as camera bulk, unless you're going with an RF system like the Mamiya 6 or 7).
The Pentax 6x7 is a nice system, but there are things that have kept me away from it. First off, unlike the Hassies or the Mamiyas it has a focal plane shutter, rather than a leaf shutter (there are 2 lenses for it that are leaf, but can't think off the top of my head which they are). What that means to you is that one of the best attractions to MF cameras- the flash sync at any speed is gone. Another reason the P6x7 has been maligned is the notorious mirror slap, which causes vibrations in some situations. You can probably read about this by googling it.
The Mamiya RB and RZ 6x7 system is very nice (and I'm actually getting an RZ body soon, after I got rid of my RB back in 2001). The difference between the two is the fact that the RB is fully mechanical, while the RZ has an electronically controlled shutter. More accurate, but requires a battery. Another difference is the heft. The RB is really a beast, while the RZ is a bit more manageable. If you do look at the M 6x7s, I would go for an RB Pro-SD (can be used with the newer KL lenses), or the RZ Pro II. The difference between the RZ Pro and Pro II bodies is that the II has half stops on the shutter speed, and a fine focus.
If you're looking for bigger like a 6x8 or a 6x9, I would suggest the Fuji fixed lens models GW680III or the GW690III. I've heard wonderful things about these (but alas have never used them).
The other major players are the Hassies and Rolleis, which are wonderful cameras, and I know some will snipe me for this, but I think that they are over-hyped, and subsequently overpriced. I've used a 503CW, and while a really nice design and intuitive interface, to me it just wasn't worth the extra $2500 over an RZ. YMMV.
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