douglasf13 Offline Dedicated FM Upload & Sell: Off
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p.3 #7 · 7D & 'Mazing' (serious question) | |
jorkata wrote:
cameron12x wrote:
I wonder if it is possible that Canon actually purposefully introduced the "maze artifacting" as a mechanism to reduce or eliminate the "noise banding" which plagued the 50D (and to a lesser extent, the 5D2) at high ISO settings?
Canon purposefully tweaked the sensor's color filter, so that more light can reach the sensor.
This is to minimize noise in general, not just banding.
Don't know exactly what they've done but it's something along the lines of Kodak's TrueSense sensor:

With this arrangement, the RGBG color data in the raw file no longer contains accurate red, green, and blue colors.
The mazing is created by the raw-demosaicing algorithm - unless it's aware of the tweaked color filter, so that compensatation can be applied.
The problem is that even with compensation, there are still color artifacts - the salt & pepper noise.
That sensor uses Kodak's high ISO color array, which could be similar to what Canon is doing. Interestingly, in the comments from an article about this new array in 2007, Pete Myers had this to say about it and artifacts:
"Perhaps I am the only one in North America that finds the news of this new sensor to be dreadful, but I do. The original Bayer patent was based on a cell of two luminance pixels, and one red and one blue pixel---not two green, one red and one blue. It was a scheme originally developed for single tube vidicon television cameras. So in essence Kodak is returning back to the original Bayer patent, but since they could not get a new patent on old work (and collect royalties), the green element has been retained.
Part monochrome camera, remainder bayer camera. While the monochrome portion is going to be two stops faster, not so for the bayer portion. So to suppress noise, the monochrome information will be superimposed on the bayer info.
All I think its going to do is create even more artifacts in images.
I cant wait until some company finally comes to the same conclusion that the broadcast industry did a long time ago---make a 3-CCD camera and get beyond matrix based sensors.
I really think this is more about patent rights and Kodak trying to show something "progressive" in a failing company."
Here is the link
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