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p.2 #6 · How's the IS in the E-P1? | |
mawz wrote:
If the camera is at chest height, it's either well away from the body (an unstable position, locked elbows or not. The fact that it's more stable than arm's length doesn't make it as stable as against the face) or you can't properly see the LCD. With the G1, it's either resting against my face, with locked elbows, or resting against my chest with the LCD flipped out, with fully supported arms. Both positions are far more stable than any position possible with the E-P1 where the LCD remains visible for composition.
You'd need to be using the clip-on OVF to get a truly stable position for the E-P1 where accurate composition remains possible.
I understand the argument, I just don't really buy into it. 
From what you described, I am guessing the way I hold the E-P1 when I need maximum stability is probably at least close to how you use the G1, despite the non-articulating screen (I do wish the E-P1 had this, though). I hold the camera near my chest with elbows locked. The camera is about 7 inches from my body (yes, I was bored enough to take the time to measure it.) I have no trouble seeing the screen from this position (though it is not at an ideal angle) since I can tilt my head back a little bit if necessary. Some quick tests with my 1d3 shot from both positions show roughly the same percentage of "keepers" at the same marginal shutter speed for a given lens. Not exactly an exhaustive test I know, but it's good enough for me, for now at least.
Anyhow, this wasn't meant to be an E-P1 vs. G1 or whatever else. My point was that, in my experience, and speaking purely for myself I guess, I do not find that the lack of a viewfinder impedes my ability to get stable shots at a given shutter speed, IS or no...
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