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p.1 #25 · How's the IS in the E-P1? | |
bpark42 wrote:
I don't really buy this claim. When I am using the E-P1 I hold it at chest height with both elbows held against my sides. This position is very stable, and I doubt it loses much of anything to the "camera up to the eye" position.
Just because so many p&s users tend to hold their camera out at full arm's length when composing on the lcd, that doesn't mean there aren't smarter ways to shoot.
If the camera is at chest height, it's either well away from the body (an unstable position, locked elbows or not. The fact that it's more stable than arm's length doesn't make it as stable as against the face) or you can't properly see the LCD. With the G1, it's either resting against my face, with locked elbows, or resting against my chest with the LCD flipped out, with fully supported arms. Both positions are far more stable than any position possible with the E-P1 where the LCD remains visible for composition.
You'd need to be using the clip-on OVF to get a truly stable position for the E-P1 where accurate composition remains possible.
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