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jorkata wrote:
ejmartin wrote:
It looks like DPP is producing the artifacts, at a lower level, in skibum's example. As I have always said, the fix is to do local averaging of the RAW data, so the artifacts can be suppressed at the cost of resolution. This is likely also the reason why some have been disappointed by the noise at lower ISO; the noise is a residual artifact of the hardware issues that the RAW converter was unable to filter out.
Agree.
I don’t’ think, though, that the issue limited only to certain (defective) units.
Canon seems to have intentionally made one of the green channels on the color filter more transmissive - as a way to combat noise.
ISO/noise is improved but the side effect are these artifacts that we are seeing.
With DPP the maze effect is not visible.
I’m also sure that the final versions of ACR and LR won’t produce the maze effect either.
However, the green channel imbalance seems to be causing the black & white dots in 7D images (the ‘digital dandruff’, as RG describes it) that no other Canon DSLR has.
After some experimentation with 7D images, my impression is that the black & white dots limit the amount of post-processing that can be applied to 7D images.
Sharpening and enhanced contrast make the black & white dots quite visible and it’s these dots that give the overall ‘harsh’ look to 7D photos.
the ironic thing if that is the case, that they went to a more transmissive G1 or something, is that the artifacts make most converters, really all, introduce more noise than whatever modest gain a more transmissive G1 might give I'd think!
At best it seems to help maybe 15%, assuming that is even the factor that has boosted photon capture efficiency which is anything but certain, while the extra noise is much more than 15% so....
in fact if you look at very mazing prone patches you can notice that DPP definitely shows a maze-pattern itself, just weaker and somewhat broken up into dots by the tendency for DPP to get zipper effect
sometimes it almost looks like DPP tries to selectively smooth over areas of low detail with 7D raws, but i could very well be wrong about that
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