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Archive 2009 · Massive jump-ship. What to do?
  
 
molson
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p.3 #1 · Massive jump-ship. What to do?


brainiac wrote: I tolerate the very very marginal inferiority of the 5D2 in shadow noise by reminding myself that my pair of 5D2's cost less than one D3x.

Last time I checked, here in Canada you could buy three 5D MkII's for the cost of one D3x body.

As for AF performance, while I'm sure there are situations where Nikon's AI-servo focus tracking is much better, I actually found it slightly worse (on the D700, compared to the 5D MkII) for slow or erratic-moving subjects.


Jul 21, 2009 at 05:36 PM
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p.3 #2 · Massive jump-ship. What to do?


anthonygh wrote:
Is anyone on here into creating worthwhile images...?

...noise levels and pixel peeping is a rich persons indulgence...and has almost nothing to do with photographic creativity or image creation!


I was paid well to take 4000 images of a wedding this weekend. Does that count as worthwhile images? Am I a lesser photographer for caring a lot about the noise levels in the pictures that I hand over to the bride and groom, and which can never be repeated? Unlike you I can't afford to be casual about image quality because I have responsibilities.

Jul 21, 2009 at 11:31 PM
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p.3 #3 · Massive jump-ship. What to do?


Jorgen Udvang wrote:
Below is a size comparison between the K-7 and several other cameras, the K-7 in the middle.


This image is copyrighted by the owner




Any particular reason why they left out the 450D/500D?

Jul 21, 2009 at 11:34 PM
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p.3 #4 · Massive jump-ship. What to do?


brainiac wrote:
Jorgen Udvang wrote:
Below is a size comparison between the K-7 and several other cameras, the K-7 in the middle.


This image is copyrighted by the owner




Any particular reason why they left out the 450D/500D?


Because they're much lower-end cameras that aren't comparable in performance or price to the K7. There's a large difference between a magnesium-body, fully weather-sealed 5fps semi-pro body and a Rebel. Note the comparisons shown are to other Pentax's or high-end amateur/semi-pro bodies from the other makers (5D/50D, D700/D300, E-3/E-30, the Oly's being the most comparable overall)

The 500D can nearly match the fps and likely beats the K7 on AF performance, but lacks many other features of the K7 and the other bodies shown. Few people would actually comparison shop a Rebel and a K7.

What surprises me about that is the lack of the A900/A700 comparison.


Jul 22, 2009 at 01:13 AM
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p.3 #5 · Massive jump-ship. What to do?


anthonygh wrote:
Is anyone on here into creating worthwhile images or is pixel peeking the name of the game?

Maybe it's because I'm a poor UK resident but some of the posts on this site border on pathetic. "I can't do this..so i will trade in my megga bucks Canon kit so I can get a better shot of a duck taking off...oh..that doesn't work so time to up-grade...maybe two bodies would help"...and so on!

Some people on here are sacrificing ( via their need to trade in and upgrade ) more money than some families in some parts of the world have to feed themselves for a year.

People need to get a perspective on life and what is important...noise levels and pixel peeping is a rich persons indulgence...and has almost nothing to do with photographic creativity or image creation!

You don't sound like you're a professional photographer. Just because we pixel-poke doesn't mean we don't go out and take photos. It's in fact the other way around - we take LOTS of photos (possibly more than you do) and we push our cameras harder than the average person tries to. This is what leads us to want better quality and reliability in our cameras. The clients demand it and we have to try to give it to them. If we can't deliver, then clients find a photographer who can. Do you see how this works?

And as for the preaching about poor families. Yes, we are mostly better-off here in western society. It's a sad reality, but what can we do about it? Donate to the poor? Volunteer? I already do that alot, and I'm sure some others here might too. What else do you want?

Jul 22, 2009 at 02:47 AM
Jorgen Udvang
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p.3 #6 · Massive jump-ship. What to do?


brainiac wrote:
Any particular reason why they left out the 450D/500D?


They didn't include a Kodak Instamatic either... Richard, you're unstopable. If you can't see the difference in feature set between a 500D and the K-7, you either need to buy new reading glasses, or you should look for a position at Canon's sales department. With you on their team, they would blow all other camera brands off the British isles within days...

Jul 22, 2009 at 04:36 AM
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p.3 #7 · Massive jump-ship. What to do?


Jorgen Udvang wrote:
If you can't see the difference in feature set between a 500D and the K-7, you either need to buy new reading glasses, or you should look for a position at Canon's sales department.


This crop camera is being compared for size against a full frame camera, but NOT against what is probably the number 1 selling APS-C DSLR range - the Rebels.

To say that the K7 should not be compared against the 500D is ridiculous.
APS-C ...check
15 Mpixel ...check
limited AF points ...check
HD video ...check
isos up to 3200, expandable to 6400 ...check

The K7 has in body IS which is a winner over the 500D, but its image quality and AF are probably inferior to the 500D and yet it costs $500 more. If you think a metal body and automatic sensor levelling make this a different category of camera then you are planning to keep your camera for too long and you're too easily impressed by marketing gimmicks. The 500D really is the camera that the K7 has to beat, and it only seems to do that if you give undue weight to feature lists and not enough weight to the stuff that really matters: the sensor/IQ, the AF, and the range of available lenses.

As for me being a Canon whore, say what you like, but I don't give a crap about brands except in so far as they offer a reliable way of understanding products. I am ready to switch to any brand at any time, as long as the product has significant advantage. I have already switched brands many times. I have no brand loyalty at all.

Jul 22, 2009 at 10:16 AM
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p.3 #8 · Massive jump-ship. What to do?


Richard:

You just listed everything the two cameras have in common. They've got a lot more differences than commonalities. By your description nobody should ever look at a 50D because it's differences compared to a 500D are just marketing. Also, by those arguments, you should be complaining that the K7 is not compared against the D90 and D60.

What the K7 has that the 500D doesn't
Weather Sealing (K7 is fully sealed, 500D has no sealing)
Dual-wheel interface with primarily physical controls
100% Pentaprism finder
15 RAW buffer
1/8000 max shutter speed
magnesium body shell (Which isn't marketing, it's significantly more durable than the somewhat fragile rebels, the few plastic bodies which can compare on durability come from Oly, Nikon or Pentax)
in-body IS
Sensor levelling
1.8 fps faster drive (5.2fps vs 3.4)
Wireless flash control on the popup.
9 cross type sensors in 11 points vs 1 cross type sensor in 9 points for AF
MUCH better selection of crop-oriented lenses, and pretty much all of those outperform the EF-S equivalent.

I know your answer to everything compact seems to be 'get a 450D/500D', but frankly while they're nice consumer bodies that produce excellent output, the bodies themselves are rather crappy and simply don't compare in build or ergonomics to higher-end bodies. Nobody looking seriously at a K7 or similar body is going to get a 500D instead unless economics force them to.


Jul 22, 2009 at 01:17 PM
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p.3 #9 · Massive jump-ship. What to do?


mawz wrote:
They've got a lot more differences than commonalities.


I don't see it that way. For me they are remarkably similar, i.e. APS-C digital SLR's. One costs less than twice the price of the other. They both use Bayer sensors to record 15 Mpixels of data. They are about the same generation. In my list I didn't just pick the things they had in common, I listed the features that are fundamental to the usefulness of the two cameras. For me they would be virtually interchangeable, and if someone handed me either to do a particular job I would be quite happy. Just as we share 90+% of our DNA with chimps, so these two cameras are overwhlmingly more similar than different.

By your description nobody should ever look at a 50D because it's differences compared to a 500D are just marketing.

I think that's a fair point.

>Also, by those arguments, you should be complaining that the K7 is not compared against the D90 and D60.

Let me lodge that complaint right now. The image embedded above should certainly have compared the K7 to similarly sized DSLRs from other brands - otherwise what does it prove? That's my point.

I know your answer to everything compact seems to be 'get a 450D/500D', but frankly while they're nice consumer bodies that produce excellent output, the bodies themselves are rather crappy and simply don't compare in build or ergonomics to higher-end bodies. Nobody looking seriously at a K7 or similar body is going to get a 500D instead unless economics force them to.

This raises a whole lot of issues, when my point simply was that if you want to compare the K7's size it doesn't make much sense to avoid comparison with the big selling APS-C cameras like the much cheaper Nikons and Canons. I am sorry I mentioned only the Rebels, I just picked them as an example.

Edited on Jul 22, 2009 at 03:01 PM · View previous versions


Jul 22, 2009 at 02:35 PM
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p.3 #10 · Massive jump-ship. What to do?


brainiac wrote:

This raises a whole lot of issues, when my point simply was that if you want to compare the K7's size it doesn't make much sense to avoid comparison with the big selling APS-C cameras like the much cheaper Nikons and Canons. I am sorry I mentioned only the Rebels, I just picked them as an example.


OK, I can agree with that but I do think you're missing the point of the K7. It's all about delivering performance comparable to similar-priced cameras in a far smaller package without giving up the rest of the package. If all you want is a small camera, the Rebels, K-m or other low-end DSLR's or a G1 are a better choice (especially the tiny K-m).

The size comparison was against cameras of similar pricepoint, specification or place in the lineup. With the exception of one body shown (another Pentax), all of the bodies they compared to are semi-pro or advanced amateur bodies, like the K7. Comparing against small consumer bodies is beside the point (at that, the K7 is about the same size as the new Sony low-end body and slightly larger than a Rebel).

The big deal on the K7 is now you can get a body with the performance of a advanced amateur body without paying the size and weight penalty even Olympus (the supposed king of small) forces on you.

Jul 22, 2009 at 02:49 PM
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p.3 #11 · Massive jump-ship. What to do?


brainiac wrote:
Just as we share 90+% of our DNA with chimps, so these two cameras are overwhlmingly more similar than different.


If the two cameras are as similar as humans are to chimps, I begin to see the picture. You need to go to the zoo more often...

To claim that any advantage that a non-Canon camera has vs. a Canon is irrelevant to photography makes Ken Rockwell's comparison of the 5D to a camera phone look like science. Your arguments also obsolete an advanced p&s like the G10. It has after all the same sensor as most other, much cheaper digicams.

Jul 22, 2009 at 05:57 PM
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p.3 #12 · Massive jump-ship. What to do?


DubiousDrewski: in the collection behind your first link are some of the most aesthetic photos I ever have seen!
Absolutely captivating!

Jul 22, 2009 at 08:32 PM
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p.3 #13 · Massive jump-ship. What to do?


m-a-x wrote:
DubiousDrewski: in the collection behind your first link are some of the most aesthetic photos I ever have seen!
Absolutely captivating!

newmikey wrote: I just wanted to remark that I had a look at your website and I was awestruck by the images! They are absolutely amazing, one by one and I did not want to leave that unsaid here.
Thanks guys! You're awesome.

Jul 22, 2009 at 09:56 PM
 



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p.3 #14 · Massive jump-ship. What to do?


>To claim that any advantage that a non-Canon camera has vs. a Canon is irrelevant to photography makes Ken Rockwell's comparison of the 5D to a camera phone look like science.

That's a straw man argument, because that's not what I claimed. And Ken Rockwell loves his 5D(2).

Jul 22, 2009 at 10:11 PM
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p.3 #15 · Massive jump-ship. What to do?


anthonygh wrote:
Is anyone on here into creating worthwhile images or is pixel peeking the name of the game?

Maybe it's because I'm a poor UK resident but some of the posts on this site border on pathetic. "I can't do this..so i will trade in my megga bucks Canon kit so I can get a better shot of a duck taking off...oh..that doesn't work so time to up-grade...maybe two bodies would help"...and so on!

Some people on here are sacrificing ( via their need to trade in and upgrade ) more money than some families in some parts of the world have to feed themselves for a year.

People need to get a perspective on life and what is important...noise levels and pixel peeping is a rich persons indulgence...and has almost nothing to do with photographic creativity or image creation!



Stop hanging out in a "... Gear Forum"... ok? Seriously.

Jul 22, 2009 at 10:44 PM
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p.3 #16 · Massive jump-ship. What to do?


brainiac wrote:
>To claim that any advantage that a non-Canon camera has vs. a Canon is irrelevant to photography makes Ken Rockwell's comparison of the 5D to a camera phone look like science.

That's a straw man argument, because that's not what I claimed. And Ken Rockwell loves his 5D(2).


You said: "..., I listed the features that are fundamental to the usefulness of the two cameras."

But you omitted:
Weather Sealing (K7 is fully sealed, 500D has no sealing)
Dual-wheel interface with primarily physical controls
100% Pentaprism finder
15 RAW buffer
1/8000 max shutter speed
Magnesium body shell
In-body IS
Sensor leveling
1.8 fps faster drive (5.2fps vs 3.4)
Wireless flash control on the popup.
9 cross type sensors in 11 points vs 1 cross type sensor in 9 points for AF
MUCH better selection of crop-oriented lenses, and pretty much all of those outperform the EF-S equivalent.

When you omit features from a comparison, and say what you said, it is usually fair to assume that you either:

a) don't find those features relevant for the task the equipment is designed to perform

or

b) work to promote one of the product in the comparison.

Of course Ken Rockwell likes his 5D. It's a good camera, and Ken is apparently a pragmatic, down-to-earth kind of guy. He just makes some slightly off-beat and rather unscientific tests now and then.

Jul 23, 2009 at 02:49 AM
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p.3 #17 · Massive jump-ship. What to do?


i had $10K of Pentax gear when i started buying Nikon because AF was so bad. noise on the *istD was OK but still, AF was what mattered at the time. i could afford and bought a D2X with a set of lenses. i still have about that now in Pentax gear with a different lens and body lineup but i have way more in Nikon gear now. the K10D was a huge disappointment in image quality except megapixels. AF was better than the *istD but not enough to matter. VPN drove me nuts. the K20D was slightly better in noise and AF but basically still not adequate. thermal noise in the sensor drove me nuts for long exposures.

i shot a friend for their fashion modeling portfolio and i used my K20D. the lenses are superb and for wide to short tele primes, way better than the Nikon offerings. most of the images were slightly front or back focused by about an inch or so. when shooting the 55/1.4 or 77/1.8 wide open to get the good bokeh, that makes or breaks the shot. if it were consistently one or the other, i could fix with a focus adjustment, but that wasn't the case. it was sometimes a little front focused, sometimes a little back. the oft-repeated statement that Pentax's AF is slower but more accurate because it checks afterwards is bogus because the other vendors have figured out how to monitor focus while the lens is in motion and don't have to check afterwards. they are checking the whole time. Pentax hadn't up until the K20D. i don't know if the K7 is any better yet.

i shoot Pentax when i am in controlled conditions where i can reshoot and use both manual exposure and manual focus. the rest of the time, i shoot my Nikons even though the lenses aren't as nice. bokeh is a secondary characteristic and important only when i get the shot first. with my K20D, i have to work extra hard to get the shot in the first place and most of the time it's not worth the effort when i can just point my D3 or D3X and know i got the shot without even looking.

Herb....

DubiousDrewski wrote:
I'm very disappointed with the noise performance of the K7. And despite the $880 (employee discounted) price tag, I might not pick one up.

I might get a D700. I have zero Nikon gear and I have ~$3000 in Pentax gear.



Jul 23, 2009 at 04:23 PM
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p.3 #18 · Massive jump-ship. What to do?


Dubious, great photos, you can't take a bad picture! Whatever you choose, the pics will be awesome --rob

Jul 24, 2009 at 03:51 AM
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p.3 #19 · Massive jump-ship. What to do?


Jorgen Udvang wrote:
You said: "..., I listed the features that are fundamental to the usefulness of the two cameras."

But you omitted:
Weather Sealing (K7 is fully sealed, 500D has no sealing)


I am sorry but this is a real stretch. The great majority of SLR's do not have weather sealing. How can that be an essential feature to the camera when even most K7 buyers (or 500D buyers) will never know or care that it was there? I have used countless cameras over decades, mostly pro gear, and as far as I know only three of those cameras were weather sealed. I have never had a camera fail due to water damage. This feature is required by a very small minority of camera users, most of whom are interested in systems with full frame options.

>Dual-wheel interface with primarily physical controls

Yeah - it's not a camera without that. How could it be made to work?

>100% Pentaprism finder

See my answer to the weather-sealing issue. The great majority of cameras don't have this and yet users seem to get on fine.

>15 RAW buffer

What's wrong with 9 raws? Bursts of more than 5 raws seem excessive for the overwhelming majority of camera usage, even for professionals. If you need to hold your finger down for 15 shots in a row, then you must be really important.

1/8000 max shutter speed

Cameras didn't work before they had this.

Magnesium body shell

A real photographer doesn't give a toss about what the body shell is made of as long as the camera works long enough to get the job done and represent good vfm.

In-body IS

A great feature, but non-essential, particularly when lens IS comes bundled with much cheaper kits.

Sensor leveling

Seriously - how have we photographers survived without this? ;-)

>1.8 fps faster drive (5.2fps vs 3.4)

An issue for sports shooters, none of whom should be using either of these cameras.

>Wireless flash control on the popup.

This will be used by less than 0.2% of K7 buyers. How have we survived till now?

>9 cross type sensors in 11 points vs 1 cross type sensor in 9 points for AF
MUCH better selection of crop-oriented lenses, and pretty much all of those outperform the EF-S equivalent.


Apparently the 500D has better AF than the K7. Who cares how they do it, or what the marketing people have to say about why the inferior AF is actually better.

When you omit features from a comparison, and say what you said, it is usually fair to assume that you either:
a) don't find those features relevant for the task the equipment is designed to perform
or
b) work to promote one of the product in the comparison.


...or (c) reckon that a much more expensive camera with worse image quality, inferior AF, and no upgrade path to full frame, isn't going to become the market leader through spec-list features alone.

None of the features that you list matter in the way that price, image quality, AF, and system access matter. In this digital age, even camera longevity isn't a crucial feature any more, since people expect to upgrade in a few years, like they do with phones, computers and televisions.

Jul 24, 2009 at 12:44 PM
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p.3 #20 · Massive jump-ship. What to do?


Jorgen Udvang wrote:
brainiac wrote:
Just as we share 90+% of our DNA with chimps, so these two cameras are overwhlmingly more similar than different.


If the two cameras are as similar as humans are to chimps, I begin to see the picture. You need to go to the zoo more often...


Both a cloud and a watermellon contain 97% water, so I'd focus on the differences.

Hey, if I want to visit a zoo, I come here.

Jul 24, 2009 at 01:54 PM
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p.3 #21 · Massive jump-ship. What to do?


kleinssz69 wrote:
Both a cloud and a watermellon contain 97% water, so I'd focus on the differences.


A cloud is mostly air. I think you have illustrated my point that when two things are primarily the same, it's easy to concentrate on the marginal differences. The price tag helps one to return to an objective view.

Jul 24, 2009 at 02:06 PM
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p.3 #22 · Massive jump-ship. What to do?


brainiac wrote:
Jorgen Udvang wrote:
You said: "..., I listed the features that are fundamental to the usefulness of the two cameras."

But you omitted:
Weather Sealing (K7 is fully sealed, 500D has no sealing)


I am sorry but this is a real stretch. The great majority of SLR's do not have weather sealing. How can that be an essential feature to the camera when even most K7 buyers (or 500D buyers) will never know or care that it was there? I have used countless cameras over decades, mostly pro gear, and as far as I know only three of those cameras were weather sealed. I have never had a camera fail due to water damage. This feature is required by a very small minority of camera users, most of whom are interested in systems with full frame options.


Actually that's not the case anymore. Most of the SLR's above the consumer range have some level of sealing and the K7 has among the best sealing on the market. Weather sealing is one of the major reasons to consider the K7 in the first place.


>Dual-wheel interface with primarily physical controls

Yeah - it's not a camera without that. How could it be made to work?


Dual-wheel controls are faster to work with, which is one reason they're a standard differentiator between consumer and mid-range bodies.


>100% Pentaprism finder

See my answer to the weather-sealing issue. The great majority of cameras don't have this and yet users seem to get on fine.


And yet still a standard differentiator between higher-end and lower-end cameras. Being able to accurately frame the image is not something the consumer market needs. But it's a nice feature for the pros.


>15 RAW buffer

What's wrong with 9 raws? Bursts of more than 5 raws seem excessive for the overwhelming majority of camera usage, even for professionals. If you need to hold your finger down for 15 shots in a row, then you must be really important.


Never made 3 bursts in a short period? The bigger the buffer, the less that write speeds and file sizes matter in the field. I've certainly filled 9+ frame buffers using 1-2 shot bursts (both on an EOS 10D due to glacial write speeds and on a D300 due to large file sizes in 14 bit mode).


1/8000 max shutter speed

Cameras didn't work before they had this.


The extra stop of shutter gets you an extra stop of aperture when trying to shoot shallow-DoF work in daylight. Once again, a nice feature and a standard differentiator for higher-end bodies.


Magnesium body shell

A real photographer doesn't give a toss about what the body shell is made of as long as the camera works long enough to get the job done and represent good vfm.


And often that the body doesn't fall apart under heavy use. The Rebels simply aren't well built enough to take the sort of beating that hard use can give out. The K7, on the other hand, has the build to take that sort of abuse. The VFM equation is different when you have to buy 2-3 Rebels to match the usage life of one higher-end body. Once again, the reason why pretty much all the bodies at the K7's level have either magnesium shells or very tough ploycarbonate shells (the E-3 may be polycarbonate, but it's far tougher than any Rebel).


In-body IS

A great feature, but non-essential, particularly when lens IS comes bundled with much cheaper kits.


I'll concede that point when the 50mm f1.8 IS ships.


Sensor leveling

Seriously - how have we photographers survived without this? ;-)


This is the one feature that's of more use to consumers than serious shooters.


>1.8 fps faster drive (5.2fps vs 3.4)

An issue for sports shooters, none of whom should be using either of these cameras.


Useful in a pinch. I'd suspect there's more sports shooters using both of these cameras than you'd suspect. Heck I know one working pro here in Toronto who shoots with a MF 400/2.8A* on a Pentax *istDS2.


>Wireless flash control on the popup.

This will be used by less than 0.2% of K7 buyers. How have we survived till now?


Actually, this is likely to be heavily used by the K7's target market, which is serious amateurs, part-time pros and the occasional real working pro. Look at the popularity of Strobist and tell me again that people aren't going to use this?


>9 cross type sensors in 11 points vs 1 cross type sensor in 9 points for AF
MUCH better selection of crop-oriented lenses, and pretty much all of those outperform the EF-S equivalent.


Apparently the 500D has better AF than the K7. Who cares how they do it, or what the marketing people have to say about why the inferior AF is actually better.


The 500D has better AF multi-point tracking and better centre-point AF performance, The K7 has better performance when a off-centre point is selected. Overal the 500D wins, but if you're trying anything other than the centre-point in AF-S, the K7 is going to do better.


When you omit features from a comparison, and say what you said, it is usually fair to assume that you either:
a) don't find those features relevant for the task the equipment is designed to perform
or
b) work to promote one of the product in the comparison.


...or (c) reckon that a much more expensive camera with worse image quality, inferior AF, and no upgrade path to full frame, isn't going to become the market leader through spec-list features alone.

None of the features that you list matter in the way that price, image quality, AF, and system access matter. In this digital age, even camera longevity isn't a crucial feature any more, since people expect to upgrade in a few years, like they do with phones, computers and televisions.


The K7's IQ is at least as good as the 500D's at lower ISO's, at higher ISO's the 500D's cleaner but delivers less resolution. The upgrade path to FF is in many ways irrelevant today, those who need FF are going there directly (Why buy either a 500D or a K7 when the K7's price gets you a 5D now). But most of the market has no need for FF and the K7 does have a compelling set of features for enough people to give it a solid niche.

Your entire argument here also fails on the fact that it applies essentially in its entirety to every single camera between $1000 and $2000 MSRP, not just the K7. And reality indicates that the features you write off as irrelevancies are in fact major selling points to the majority of the non-consumer market. There's a lot more to camera choice than just the AF unit and IQ.

Jul 24, 2009 at 03:04 PM
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p.3 #23 · Massive jump-ship. What to do?


Here's a West Indies Pentax Semi-Pro's thread where he's had it with the K-7 sensor problems. Weather sealing is great unless it makes the sensor run hot.

Pentax put a thermometer icon on the K-7 to warn users but still its plaguing many in different enviroments. He's rejected THREE PENTAX K-7 & Amazon won't trade him out a 4th one:

http://www.pentaxforums.com/forums/pentax-dslr-discussion/67499-sorry-pentax-but-youve-just-made-me-spend-alot-cash.html



Jul 24, 2009 at 03:24 PM
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p.3 #24 · Massive jump-ship. What to do?


My point is getting diluted here. I'm not saying that none of these features is ever useful. I am saying that with the K7 your extra $500 gets you icing on an APS-C cake, not more cake. As such it does make sense to compare the K7's size with the popular and cheaper Nikon and Canon APS-C offerings, since it's really just one of them with icing on, and it also makes sense to consider that $500 less gets you a camera with equivalent AF and IQ at least. To some extent the $1200-$2000 bracket does mystify me a bit, and I wonder if that segment is selling well when it has to compete with A900, D700 and used 5D from above, and the excellent Canon Rebel/Nikon x000 cameras from below. Maybe there will always be enough people willing to spend money on features rather than IQ.

Jul 24, 2009 at 03:30 PM
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p.3 #25 · Massive jump-ship. What to do?


brainiac wrote: Maybe there will always be enough people willing to spend money on features rather than IQ.

Yes there will be: A usable viewfinder, control layouts and tactile response, and weather resistance come to mind first, I'm sure others will have their own reasons. And if IQ was all that mattered we wouldn't be dinking around with this small-format stuff.

Jul 24, 2009 at 03:59 PM




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