Gregory.Rotter Offline Image Upload: Off
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parsons wrote:
millsart wrote:
parsons wrote:
just thinking about the comments above regarding the mk3 canon,
whilst watching wimbledon this week and todays final, from about 60 photogs on the side lines and in the upper areas,
id say 85% where canon super teles atached to the mk3. with a few black nikons in between!
so iam guessing that focus issues arent a real problem any more
s
Where you in the media room though seeing how many slightly OOF frames those shooters were getting ?
I used a mkIII for a full year of sports before going to the D3. Even with its issues it got the job done, just gave me way more missed frames that I would of liked. Its not like every shot was bad, it got its keepers, but on a touchdown run for example, I'd get something like OOF, sharp, sharp, OOF, sharp, OOF etc
Sometimes that OOF frame was the one that would of been the best position of the player, defender etc.
with the D3 its more like sharp, sharp, sharp, sharp, sharp lol
As I said before, switching to the D3 from Canon was a luxury not everyone can do. Lots of people have to suck it up and use what they've got.
Given the newspaper industry do you really think that many papers that are laying off 30% of staff are really going to switch to all new Nikon gear ?
Places like SI of course had that luxury.
Just because you see people still using something doesn't mean its the best. I know people at smaller papers who still shoot with Nikon D100's. A pretty bad camera overall, and far inferior to whats on the market now but its all the more some people got.
We'd all love the latest and greatest but aren't all in a position to justify it.
well, no i wasnt there, sitting cheaply on my sofa watching, so no i cant comment on the ooooof shots perhaps, but why would so many photog`s take that risk at such a large event with sub standard equipment?
i havent owend a mk3 either nor intend to as i my mk2`s do just fine.
simon
Because it gets the job done, with a keeper rate that isn't as high, and it doesn't make sense to an agency that has a whole canon super tele linup, to swap to Nikon, for the sake of a few oof shots. As others have said, if you haven't invested in the canon, or can afford the swap, then those who can, will.
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