Rodolfo Paiz Offline Dedicated FM Upload & Sell: On
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p.3 #11 · Starting from scratch with Nikon | |
Wow, lots of different opinions here. A little fuel for the fire:
I started in 1982 with Canon film bodies, and ever since I went to digital with a little Nikon D70s, my only film SLR is the antique paperweight on my office desk. I believe that all normal people--amateur and pro alike--should regard film as they would a horse-drawn wagon: a historical curiosity, perhaps a source of limited fun, but of no real practical use. The caveat to that is obvious: there will always be someone who chooses to use film as his/her artistic medium for whatever reason (grain, colors, processing expertise, habit, you name it); and for that purpose, film is and always will be a perfectly valid choice.
Back to the OP's gear list, however. I'll try to be brief (not my strong suit!):
1. Most importantly when considering a Canon-to-Nikon switch, it is critical to switch mindsets first. Learn about the pros/cons of each item in the Nikon camp from the Nikon point of view, and do not make your choices based on Canon thinking. Choosing Nikon gear based on your paradigms learned on Canon gear is like having one of your girlfriends choose your wife... neither one is going to work out real well.
2. Yes, glass first!
3. Yes, Nikon's zooms are the strongest part of the lineup. And yes, masses of people either brag or bemoan the fact that Canon's primes are better than Nikon's primes. But a few of Nikon's zooms outperform even the Canon primes, OK? I distinctly recall a bunch of Canon and Nikon people concluding that the Nikon 14-24/2.8 is a better optical performer than any currently available Nikon or Canon prime in that FL range. Even if you were to downgrade that a notch and simply say that the 14-24 was "as good" as the C/N primes... that would make the 14-24 a sweet deal, wouldn't it?
4. For similar reasons to #3 above, I really suggest you rent or borrow some gear for a few days to test. You may find that a great deal of what you want to do is best done ("best" being defined as "best for your taste and needs") with different gear than you originally thought you'd need.
5. Here's what I'd look at:
- Nikon D300 ($1450)
- Nikon 24-70/2.8 ($1400)
- Nikon 35/1.8G ($350)
- Nikon 50/1.4G ($350)
- Nikon 85/1.8D ($350)
- Nikon 105/2.8 VR Micro ($800)
- Nikon SB-900 ($450)
I think this would do everything you wanted and then some. When you later decide to upgrade to a D700 or whatever is available then, you' d only have to get rid of the 35/1.8 because that's the only DX lens in the list. Killer images you'd get out of that kit, too.
I built most of that kit around primes while still just barely missing your $5K budget. I'd bet money, though, that once you really put a 24-70 through its paces, you'll at least have a good hard think about using that as your primary tool and reducing your preference for primes.
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