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p.1 #8 · Your advice, please - Stock Photo Agency | |
Mike Hoe wrote:
Hi Everyone :
I sell my photographs on my web site and mail the prints to customers directly. A reputable stock photo agency wants to represent (exclusive agreement) me and carry my photos. They requested a CD of 100 pics so they can pick the ones they want to feature on their site. Please advise me on the following questions :
1. What is there to stop someone from a reputable agency from downloading my images and sell them in photograph form on the side?
2. Am I correct to assume once the original images leave my computer, no amount of protection (copyright, watermark, digital signature, etc) can stop someone from selling the stolen images in photograph form?
3. What software do you recommend to put watermarks, signatures, etc. on images to 'protect' them?
I told the agency I may be sending 2 dozen of my best images and they can put them on their site for sale. They said their clients want to pick through a lot of images from one photographer before they decide to buy. I am not interested in a shotgun approach to my works. My answer was If I present my best images and their clients don't like them, then there is no mutual interest in continuing the relationship.
Thanks in advance for any suggestions and advice.

I make a substantial amount of my living through Stock, and the relationship you have with your agency is critical. It is based mostly on trust.
In fact, I don't have an "agency" as much as I have an agent. He works as advocate for my work as well as the other photogs he represents.
You really should name the agency, as there are many that are barely surviving. If your agreement is exclusive, and they are absorbed into another agency, then your images could be in Limbo for years.
There are also many agencies that claim to be reputable, but are simply content mining. You would make very little from such an agency, but you would work hard to give them work.
On other hand, if you have superb content, then there are still really good agencies that do very well for their clients and their photographers. The competition is fierce to get in, but the rewards are considerable.
Michael Durham
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