danmitchell Offline Image Upload: Off
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p.1 #22 · 40D RAWs: DPP vs. LR & Bibble | |
No. I don't have it backwards.
While it is true that DPP comes with the camera and can do a fine job of RAW conversion - even using the in-camera settings as a starting point if that is your thing - it does not integrate with PS as well as ACR.
With DPP you convert to a TIFF and then open that in PS. With ACR you do your conversion and the image opens as a smart layer direction in PS - and retains its link back to the original RAW (and settings you used) such that when you double-click the layer in PS it automatically opens it in ACR, lets you make changes, and immediately incorporates them into the PS file.
Your descriptions (DPP is "the real, original RAW converter" and "all others... ACR specifically, are second choice") are pretty meaningless and, I would argue, simply not correct.
ACR incorporates a very fine input sharpening function now as well. In a number of cases I prefer it to PS sharpening; in others I use the two in tandem. (The masking feature is very valuable.)
The bottom line is that you can produce excellent RAW conversions with any of a number of conversion applications as long as you know their interfaces/controls well. With that in mind, the clean integration into my workflow of ACR trumps any supposed "better conversion" from other apps.
YMMV.
Dan
jamesf99 wrote:
danmitchell wrote:
If you use Photoshop CS3 there is little if any reason to use a third-party RAW converter. ACR is an outstanding converter and its tight integration with PS is very valuable.
Small point, but I think you got it backwards. DPP is the real, original RAW converter. All others, and I mean ACR specifically, are second choice or commonly called "third-party" converters.
I also think the whole point of the DPP comments is dialectically opposed to what you're saying. I use ACR exclusively, but I may go back and process some images in DPP to see if I can do better, and from what many have said for years, you can do better. BTW, I use specific camera profiles to make up for ACR's (CS3/4.5) inability to handle some colors well.
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