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p.7 #22 · Mamiya ZD: First Impressions | |
I'm trying to avoid getting too involved in a debate about the ZD until I've had another week or so to play with it and mull things over, but a few points seem to me now to be uncontroversial:
• Mamiya still has some work to do ironing out software wrinkles in the ZD: a) the Dalsa chip is capable of better controlled performance in other backs – and b) we shouldn't be seeing these communication problems between the body and the back, or the back and the PC. My particular ZD back has manifested a troubling and wide ranging plethora of bizarre malfunctions that may or may not be related to its communication with the AFD body; Frank can't shoot tethered . . .
• As Frank always said, the ZD cannot be considered a substitute for a DSLR. However, the number of areas in which it excels relative to a 1Ds II or 5D are fewer than I expected. Several times now, I've taken both systems out on location, and the ZD either didn't make it out of the bag or bought nothing much to the party when it did. Controlled shooting at leisure, comparing the best Mamiya lenses with Zeiss and Leica lenses on the 5D, show a relatively small margin of superiority for the ZD in ideal conditions, but the balance quickly tips against it in many typical circumstances.
• The ideal partner to a ZD at present seems to be the Nikon D3: the low-light, weatherproof, rapid AF capabilities of the Nikon dovetail perfectly with the weakness of the ZD. However, the new 1Ds III may well offer a very appealing compromise in one body: it seems likely that the D3 will be a faster camera (in both senses) than the Canon, and the Mamiya ZD has an edge in DR and that attractive 'large format' rendition – but carefully post-produced 14-bit 21MP Canon files are going to be very fine indeed and the sheer jack-of-all-trades flexibility of the 1Ds III will be persuasive.
• For uncompromised architecture and landscape shooting, the bar is still set pretty high: it's just not possible to use the ZD back in low light. Period. For 1Ds III-bettering performance, you need to be looking at mid-range Phase and Leaf backs, plus something like the Silvestri Flexicam and a couple of those really lovely Apo Digitar and Rodenstock HR lenses. This is the system I would love to upgrade to, but you're looking at a minimum $22K entry point for a three wide lens stitching back system with movements. A very, very similar level of performance and utility is going to be obtainable with a 1Ds III and Zörk adaptors for less than half that cost.
• Again, for landscape and architecture, multiple exposures are frequently going to be necessary: just as it may be necessary for a 1Ds to shoot twice for DR to match an MF back, the larger sensor may require two captures to match the 1Ds' DOF.
• Concerns remain that the lenses may not live up to the demands of the 1Ds III. I also have concerns about Mamiya's range of wide lenses: concerns I don't have about the Pentax 645 range! However, in the last week, Canon has demonstrated a fresh commitment to high-resolution wide primes in the promising form of the Mark II 14mm, which looks on paper like a lens you might not be scared to use on a 1Ds III. Similarly, the new Nikon 14-24mm may prove to be a killer WA solution if the specs materialise. And Zeiss may still have a few aces to play in ZF form . . . .
All of which leads me to conclude that a switch away from Canon at this point would be premature. When I do, it will be with deeper pockets . . . .
Edited by hubsand on Aug 27, 2007 at 02:28 PM GMT
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