Paul_K Offline Upload & Sell: Off
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I agree with the suggestion to simply just stick a piece of color conversion gel on your flash
It's kind of my standard procedure when I shoot a catwalk show where the available/stage light is so bad that I need to supplement it with flash, but want to balance the WB of my SB800's (depending on the situation 2 or 4 SB800's, with and additional external batterypack, off camera mounted on a lightstand, and triggered with PW TT5's) with that of the stage light e.g. http://www.pbase.com/paul_k/20160403_max_h_jhm
Could of course also be applied on a studio flash (I eg have gel holders for my Bowens studio monolights)
I have several different types of Lee filters laying around I can chose from depending on the color temperature adjustment needed
And of course you can still use your flash with the 'normal' WB when that's needed (and don't need to get/spend money on a set of 'normal' WB + another with 'warm' WB)
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