rscheffler
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Whenever possible, keep it simple!
Shooting solo, I would pretty much ditch any off camera lighting unless it's for indoor group/family shots. If outside, it's usually possible to find a location in open shade with clean light. This is why, whenever possible, one scouts locations before the actual day of the wedding. Setting up lighting for the couple's shoot IMO adds a lot of variables that tend to bog down how much different stuff you can shoot quickly. You're usually in a time crunch.
For most of the daytime photography, I try to work available light. Indoors too if the light quality is decent. Otherwise it's bounced flash. At the reception I'll set up lights. Either several Canon 600EXRT flashes, or a couple monolights. Depends on what I'm after. The Canon flashes are great for the built-in radio control. While they're not going to light up a whole hall, you probably don't want to anyway (too much/too powerful flashing can and will bother those in attendance).
You may wish to consider if you want the convenience of the 'standard' zooms or the look available from primes. In any case, two cameras is ideal to reduce lens swapping. As mentioned, suitable backup is desirable, meaning a third camera would be good. Also, it's easier to shoot with two identical cameras due to the identical UI, etc. If one is a newer model and the other is older, chances are you will favor the newer over the older and will be switching lenses more often to try to keep using the newer (better) one. Two identical cameras eliminates this. While sometimes two different cameras can each bring strengths the other doesn't provide, in the end, it may not make a noticeable difference for the client.
I try to work with everything I need on me and at easy access. I use a Shootsac for carrying the lenses I immediately need but aren't currently on the cameras, as well as one flash, 4xAA, extra camera battery, lens cleaning cloth, a Cliff bar, my car keys, credit cards, cash, etc... I don't like a lot of things in my dress pants pockets. IMO it doesn't look so good. All the backup gear, extra flashes, lenses, batteries, chargers, etc. are in a suitably sized backpack. Others may prefer rollers or shoulder bags. In any case this is the 'transport' bag and isn't necessarily ideal for shooting out of. It's something I stash nearby when I get to each location so it's reasonably easy to access. Leaving it in the car is a bit of a risk. Not so much that it will get stolen (though that is a factor), rather, the time you'll lose retrieving it if and when one of your primaries fails and you need the backup.
My technical approach to weddings is I generally shoot primes: 21, 28 or 35, 50, 85. For some situations I'll use a 70-200, like during a ceremony when movement is restricted, or for different perspectives than the main photographer if I'm second shooting. Otherwise I'd say most of my shots when in more controllable situations are 28/50/85 primes with two cameras.
Lately I've mostly been second shooting. This removes some of the equipment burden. I do bring backups, but not to the nth degree like if I was solo. IMO, it's a good way to see how other photographers shoot weddings...
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You also list no on-camera flash (and again you need back up.) You are also weak on lenses--f4 as your main lens? Seriously?