Mike Tuomey Offline Upload & Sell: On
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For me, 24-70 is an event lens, meaning flexibility to get the shot from where I'm standing in the moment. I have one, use it for stage work and on a tripod for 'scapes because it's good wide and long. But a 35/85 or 50/100 fast non-L prime pairing is better oriented to people and portraits in varied light.
Kathy mentioned the EF 100/2 - I like mine a lot, believe it's not that far off the 135L I used to own. A little more reach & compression than the 85/1.8, less CA wide open too. The 100/2 and a 35/2 IS or 50/1.8 stm would round out a nice, small, simple 5D kit.
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