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| p.1 #15 · Milky Way Over Mono Tufa (Reprocessed) |
Question for those experienced with light painting: Apart from the intensity of the foreground light, the fact that the lighting came from the side and cast strong shadows kinda gives the impression that there is a car with headlights off somewhere to the right. This could be mitigated by lighting from the other side of the frame as well, but then a lot of the interesting foreground texture and contrast might be lost. What technique do you suggest in terms of painting light from different directions in a case like this?
For myself, you want the light coming from only one side. If you did light from both sides like you are considering you would end up with no shadows and hence a very flat looking scene with no depth to it.
Hope that helps,