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p.1 #4 · p.1 #4 · Perspective 14mm vs 24 tse vs multi-row pano @100mm | |
Also, you mentioned stitching artifacts. One advantage of using a TS-E for a scene that includes objects close to the lens is that shifting the lens in prep for a stitched composite will not greatly change the relationship between the near objects and distant background. Using, say, the 100 macro would require turning the camera on the tripod, and will make a considerable change in that foreground/background overlap, causing stitching problems. To avoid this, you need to rotate the camera around the optical node of the lens, which in the case of a tele can be out near the nose of the lens, far from the tripod thread of the camera. There are specialized mounts to deal with this.
For a landscape that doesn't have real foreground overlap with background, go ahead and experiment with your 100. I've even done stitched panos from hand held shots with good results. Obviously the subject makes a big difference, and clearly you understand the issues of resolution.
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