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Greg M wrote:
Is there some significance to being a multiple of 50?
Only that when you use large format you often use lenses that are more or less multiples - no zooms available!:
65mm Super Angulon, 135 Schneider Symmar, 240 Symmar, or 90mm, 180mm, 360mm etc
So if you extend that down to 35mm format: 24mm, 50mm 100mm etc
It's surprising what you can do if you don't have a choice of focal length. You just adapt.
I have a 135L that, frankly, I don't like much now I don't shoot theatricals. I find it an odd length and almost never use it, I use the smaller, more discreet 100 f2 instead
Edited on Nov 08, 2013 at 02:55 PM · View previous versions
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