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| p.1 #11 · Milky Way Twilight Afterglow Over The Grand Tetons |
Reposted an alteration of the original. I think I agree on subduing the blue cast.
Dave, the link you posted, IMHO, is as good as it gets for clear skies, and, filling the fov with maximum milky way. My skies weren't as crystal clear, but, still decent given the fires that were kicking out smoke obscuring the skies in previous weeks. Also, processing plays a big part of the tonal details your conveying. You sorta have to decide if you want to pop contrast to make what light is present as bright as it could be (within reason), or, using curves, especially in the shadow areas, with pinpoint, and I mean pin point accuracy, trying to create tonal separation amongst the faintest of values (those areas you call dust clouds).