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Yep, that's exactly what I'm talking about, Steve.
But for a catch-all scheme of lighting, I think it works well. I actually learned this style of creating a lighting zone from the official photographer for the Houston Ballet, who I worked with on a number of occasions. Obviously, if we had time to design the light for each shot, they could come out better from an artistic perspective. But for an audition shoot, these work well. No. 11, for example, works really well in this lighting scheme -- for me.
But Steve, c'mon, I was expecting you to appreciate those colorful feathers! That girl came to play! I'm wanting to do some backlit baby powder or whatever one of these times. I'm looking forward to getting back with them this spring when it warms up for some artistic shots. Should be a lot of fun with this group!