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I think there are several ways to strengthen these comps. One is, as suggested above, to have the photographer's personality/attention more directly indicated with some facial expression, squint, positioning.
Without that content you might consider a shot that more clearly shows the capture of the scene on the back of the camera, echoing the actual scene the photographer is taking. I think you'd need a close up of the camera to fill enough of the frame to make it a subject within a subject more effectively.