Let's
dive further into how this camera handles that unwanted
imperfection called noise. Take a look at the crop samples
on this page for a magnified view of the color and luma
1Ds noise characteristics. The above image is virtually
noiseless and has incredible detail at ISO 200. This
brings me to believe that digital noise on the new 1Ds
images is very similar to that on the D30/D60 images,
since they all share the same type CMOS sensor. Through
exploring these "real images", shot at different
ISO settings, I hope you will get a sense of what to
expect from this camera when shooting in the "real
world."
Noise
starts to creep up on 1Ds images at ISO 400. This noise
is visible at 100% magnification, but not noticeable
in prints up to 8x10 inches. Although minimal, images
shot at ISO 400 display traces of color noise that will
show up in any larger size print. Fortunately, chroma
noise is the easiest one to reduce in software.
Below is an image shot at ISO 400 for you to inspect.
Click on the "Unsharpened 100% crop" to see
how chroma noise plays a role on this image.
Now,
let's take a plunge over to the highest ISO setting available
on the 1Ds: ISO 1250. In my opinion, at this ISO setting,
color noise is blatantly obvious and noticeable. However,
I think these images are still usable. I assume Canon
engineers have their reasons for not providing an ISO
setting higher than 1250. My experience is that ISO 1250
shots that are intentionally underexposed and then pushed
back, either in Photoshop or by using Canon's lifesaver
digital exposure compensation, still look usable and make
for nice 8x10 inch prints. The below shot was taken at
ISO 1250 using a 100mm f/2.8 macro lens.